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What you will find here

Photo credit to Bryan Putnam.

What you will find here is the personal website and blog of Sterling Bowen. I’m an abstractionist, blogger, aspiring curator and occasional instructor living in Raleigh, NC. Please subscribe if you’d like a little daily abstraction in your inbox (and tell a friend).

On this site you’ll find content about my paintings and installation work. My blogs often address my practice, and Art (with a big “A”) and society. I also post daily about other artists, 1,900+ and counting, with a focus on non-figurative modalities. If you are curious as I am about this slice of the Art community, you can look for creatives of interest by searching hashtags or peruse a thumbnail diary of works to find something new. If you know who you’re interested in or looking for more about, just use the search bar below.

BTW, “yes” the name of this blog is a reference to Arthur Danto’s collection of essays After the End of Art.

Shaikha Al Mazrou

Danielle at Artsy ranks the 10 best public art works installed in 2025 (international version in case you were wondering) and points at Shaikha’s Deliberate Pauses. Mazrou’s practice is anchored in history of art, borrowing formally from minimalism and intellectually from conceptual art. Influenced by artists from the Modernist and Bauhaus Movements – such as Paul Klee, Carle Andre and Wassily Kandinsky – Al Mazrou uses the formal aspects of minimalism to engage in a current fascination with materiality in art.

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#shaikhaalmazrou

Sylvia Snowden

Jasmine Weber at Hyperallergic notes (among other things) that the 83-year-old artist has dubbed her painterly detonations of color, which physically undulate from their surfaces, as “structural abstract expressionism.”

If you like paintings that “hover delicately between figuration and abstraction” check out Mary as well.
#sylviasnowden

Kylie Heidenheimer

Bill Arning notes over at Two Coats that Private Public Gallery has earned its reputation for mounting deeply considered exhibitions of painting that honor artists who have spent decades refining their own private grammars of mark and color, and that Kylie’s first solo exhibition there is fully in that lineage.

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