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What you will find here

Photo credit to Bryan Putnam.

What you will find here is the personal website and blog of Sterling Bowen. I’m an abstractionist, blogger, aspiring curator and occasional instructor living in Raleigh, NC. Please subscribe if you’d like a little daily abstraction in your inbox (and tell a friend).

On this site you’ll find content about my paintings and installation work. My blogs often address my practice, and Art (with a big “A”) and society. I also post daily about other artists, 1,900+ and counting, with a focus on non-figurative modalities. If you are curious as I am about this slice of the Art community, you can look for creatives of interest by searching hashtags or peruse a thumbnail diary of works to find something new. If you know who you’re interested in or looking for more about, just use the search bar below.

BTW, “yes” the name of this blog is a reference to Arthur Danto’s collection of essays After the End of Art.

Hedda Sterne

I first blogged about Hedda in early 2020 because I was so over the moon to see MOMA give Hedda her due in their (at the time) new gallery reconfiguration. Hedda has a prominent place in Art History as the only woman Artist featured in Nina Leen’s iconic Life Magazine photograph of the New York Abstract Expressionist group’s “membership” (below).

Jason at Two Coats has words about the recent Dreamscapes at Van Doren Wexter.

I am continually in awe of the #9thstreetwomen* and their truly Modernist commitment to artistic practice- they always made work, even as their male counterparts (and spouses!) stole the limelight. *Speaking of the now well known tome, enjoy this interview (YouTube video in link) with author Mary Gabriel (I know I will).

#heddasterne

Warren Isensee

Isensee is an NC-born painter. Riad at Whitehot notes his newest at Miles McEniry.

I first blogged about their work early on (2018!), and att I made a note about how Neo-Geo almost ruined abstract painting (Warren has been making work since the 80’s- here is something from 2001) and that to my eye their practice is committed to formalism (writing that his work is too insistent on being seen to be a sign for some conceptual “agenda”).

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#warrenisensee

Good

Taking a different direction from the last time I wrote here and I’ll begin the same way- some of you might not have the capacity to engage on this topic what with (waves hands around in the air) everything going on, and we will see you around some other time.

And “yes” I’m intentionally making this title a contradiction to my last essay. I’m full of surprises, I know.

Hyperallergic published a Rhea Nayyar essay recently that caught my attention, I admit, out of a typical suspicion I feel whenever people try to smash science and Art together- ;tldr I was disappointed in that regard, and inspired. The article “references new research which posits museums and galleries as ‘accessible, non-clinical spaces for preventive health promotion’…“. Y’all know two things can both be true, right? So “Art is a salve for the soul” can be corny and true. While Nayyar’s intent is that old saw that there’s no substitute for seeing “real” art which I completely agree with and tell my students on the reg, I stayed for the data (link to a pdf) on Art-viewing lowering cortisol levels, as someone who cares about that stuff. So I’ll go ahead and hypocritically fall head first into a trap of my own design and say, with moral clarity, that outcome (Art = better mental state) is a “good” thing.

The topic of the article reminded me I’ve blogged before** about another academic’s essay (link is a pdf) with a similar thesis- “awe felt during experiences with religion and spirituality, nature, art, and music” serves as “the motivation to be good to others.” Feeling good and doing good are clearly not the same and “yes” I think it would hard to do the latter without the former as well.

There’s an another piece of context for this essay, too. Two hours before finishing it, I was standing on a sidewalk with hundreds of other people to say “thank you” to a small group of Buddhist Monks from Fort Worth, Texas who are currently walking the 2,300 miles to Washington, DC, to promote peace and nonviolence. Their gift to us in these trying times has been very inspirational- I chose to walk the 2 miles from my house to downtown in small act of solidarity. And I’m not alone either, not just as someone who has been moved but who felt literally, physically drawn to the energy of this moment in history.

Am I projecting because I was just around so many people that seemed to share my values? Even if so, it can still be true that **it feels good to work for “good.”** I know I just rambled off some science at y’all earlier, and, I also doubt many of you needed to read **that** sentence to know and believe the sentiment.

While I try to be clear headed and fair when I write, I do this thing, like all other writers, out of passion about a topic. I’m not doing this to be right or have a winning argument. In fact, I’m fine with the contradiction that two weeks ago I wrote that moral clarity about good and evil doesn’t lead to desirable outcomes by default and my thesis for today- which is? It sure would be awesome if more folks woke up in the morning and intended to go out into our hurting, scary, intense communities and do something… good! That doesn’t have to be make Art (although looking at some can’t hurt, obviously, and is always appreciated), and it doesn’t have to be something as selfless and heroic as walking two thousand miles. Let the spirit of “good” guide you.

**”yes” it’s sort of wild to re-read a ’21 essay and remember when Small School was still getting going, what with all they’ve added to our community; I’m bummed that the weather kept Jody Servon away this weekend but more events are scheduled (link above is to their events page). And I’ll gladly re-commit a professional error as a writer and admit “yes” I still love how Jean Gray makes our scene awesome- you, too, Pete.

Rocío Sáenz

(From Iron Gallery in Chicago) With a career defined by experimentation and spatial exploration, Rocío Sáenz transforms her experiences into an artistic proposal that challenges boundaries. Her work has been exhibited across the Americas, Europe, and Asia, earning her accolades such as the Chihuahua Award in Arts and Sciences and the Pedro Coronel Painting Biennial. More

#rociosaenz

Ishi Glinsky

Ishi Glinsky investigates the traditional practices of his tribe, the Tohono O’odham Nation, as well as other North American First Nations to create contemporary homages to sacred events and customs. These investigations often consist of a close study of the history and significance of a craft tradition, the committed apprenticeship of its technique, and its assimilation or transformation within Glinsky’s artistic practice.

#ishiglinsky

Germán Tagle

(From Aninat Galeria) In the crossroad where fiction and history meet, German Tagle has established a place of observation with the intention of catching in his paintings those narrative fragments that allow us to reread the territory where our main cultural icons lie, this is to say, all the output of diverse images taken from paintings, of advertisement, movies, anyplace we can recognize without even being sure we have even really seen it.

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#germantagle

Jane Haimes

Michael Brennan is a big fan of abstraction and of Jane. The title of his essay creates high expectations of course and is still worth the read. Also since I’m trying to draw more connections this year I’ll note that readers who like Jane should check out Osamu and Lorser, and Thomas who was the best living American painter for most of my life.

More (Jane)

#janehaimes

Zio Ziegler

I first blogged about Zio in 2021 by noting A Case Against Reality, a two-part solo exhibition of new paintings and sculptures by Zio. At the time I wrote their work was like Christian– abstractions but not abstraction.

Zio’s recent Six Trees exhibition at the Almine Rech gallery features work that harkens more to Mondrian.

#zioziegler

Anoka Faruqee & David Driscoll

Jacob Cartwright says that, true to its title, the group show “Precisely.” at Flinn Gallery (which also includes Nate and Sarah) is chockablock with the type of “precision-crafted paintings” Anoka and David produce.

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BTW if you like graphic painting take advantage of my meta content. If you like duos, see also Luftwerk, Sestra Kuya and CHIAOZZA.

#anokafaruqee

#daviddriscoll