Blogging about Mokha (who was Gene’s assistant) made me realize I’ve yet to cover Davis who was a major figure in 20th-century American painting and whose contribution was invaluable in establishing Washington, D.C., as a center of contemporary art. Davis also played a significant national and international role in the color abstraction movement that first achieved prominence in the 1960s.
#genedavis
Lilly Wei at Art in America has words about Robert’s newest at the Scully Tomasko Foundation.
#robertcmorgan
Cori Hutchinson at White Hot has words about Mokha Laget: Hot Axis at David Richard Gallery. She is a former studio assistant to Washington Color School painter Gene Davis.
#mokhalaget
SLAG & RX Galleries are pleased to announce an exhibition of artwork by the late South Carolina artist Jerry Walden. This exhibition will feature four hard-edged minimal and one figurative acrylic painting from the early 1970s and 15 hard-edged acrylic on canvas or panel paintings of the artist’s late career from the 2010s.
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#jerrywalden
The Wallpaper of the Forest is an exhibition at Chart featuring new work by Isabella.
#isabellacuglievan
Adam Simon at Two Coats notes (about Don’s newest) that (it is) the dialectic between facticity – the object declaring its objectness – and pictorialism that ultimately energizes Dudley’s work, one informing the other.
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#dondudley
recent at Canada is noted in Two Coats ever brilliant NYC Selected Gallery Guide (November, ’22 edition).
#xylorjane
Kazuya is one of the artists included (posthumously). Born in Buenos Aires to Japanese parents, he spent the majority of his youth in Japan, studying literature and philosophy. Upon his return to Argentina in 1951, Sakai, a self-taught painter, dedicated himself to the visual arts. He saw in his artwork—as in himself—a unification of Eastern and Western elements. His first works were geometric in style, reflecting the pivotal influence of Argentina’s Concrete Art Movement.
#kazuyasakai
Hyperallergic says Fleming’s geometric paintings are not the Minimalism of Greenberg and Judd, with their insistence on flatness and the elimination of space in painting.
#deanfleming
David Zwirner is pleased to announce an exhibition of works by Al Taylor at the gallery’s Hong Kong location, the first presentation of the visionary American artist in Asia. Spanning the mid-1970s through the late 1980s, the works on view will demonstrate Taylor’s transition from painting on canvas to making the three dimensional constructions for which he became known.
#altaylor
work “Red Sea” is the inspiration behind a mural design for Two South Antelope Park basketball courts in Lincoln that will be resurfaced and painted by the nonprofit organization, Project Blackboard soon (yours truly likes to hoop).
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#felrathhines
Painting After Art is Dead 