Tussle magazine has words about Yoon’s new work at the New York Hall of Science in Queens.
In the first of three innovative
exhibitions featuring pairs of artists whose work is sometimes overtly,
sometimes inadvertently linked through the intimacies of living together, Shoshana Wayne Gallery highlights the paper constructions of Rakuko Naito and the paintings of Tadaaki Kuwayama.
Kazuya is one of the artists included (posthumously). Born in Buenos Aires to Japanese parents, he spent the majority of his youth in Japan, studying literature and philosophy. Upon his return to Argentina in 1951, Sakai, a self-taught painter, dedicated himself to the visual arts. He saw in his artwork—as in himself—a unification of Eastern and Western elements. His first works were geometric in style, reflecting the pivotal influence of Argentina’s Concrete Art Movement.
was a painter and pioneering abstract artist of Korea, born in the village of Eupdong-ri on the island of Kijwa, of Anjwa-myeon, Sinan County, South Jeolla Province in Korea under Japanese rule. He belongs to the first generation of Korean Abstract artists, mixing oriental concepts and ideals with abstraction. With refined and moderated formative expression based on Korean Lyricism, he created his characteristic art world. His artworks largely dealt with diverse hues and patterns.
Transmitter is a collaborative curatorial gallery based in Brooklyn, New York, focusing on programming that is multidisciplinary, international and
experimental. to bleach, to fold features Work by Zeshan Ahmed and Yasi Alipour.
(Hyperallergic says) the gap between the material body and the psychological one, which we all too often take for granted, is one of the underlying themes of Hiro’s exhibition at Bortalomi.
Hyperallergic uses the occasion of a new book on Manoucher to discuss how this Iranian Poet became an American action painter.
catches the attention of Eva Díaz at the World Perfumery Congress (yes you read that right). Maki is an olfactory artist. As a creative that (tries to) focus on the viewer’s sense of sight, I am so here for her work- and she makes aromas whose application on a surface changes in black light (below)!
Donald Kuspit has words about Hisako’s empathic, abstract Buddhist paintings.
Alfred Rosenbluth at White Hot takes a look at Grounded at Half Gallery. Jin produces vibrant, biomorphic abstract landscapes that preserve and relate her emotional and intuitive impulses.
has lived and worked in New York City since 1964. She was born in Tokyo in 1942 where she studied art at the Gendai Bijutsu Kenkyujo (Contemporary Art Research Studio). She moved to New York in 1964 and attended The Arts Student League of New York (1964–1968). She has been the recipient of Federico II: Premio Internazionale di Pittura; Italy in 2003, the Francis J. Greenburger Foundation Award in 2003, and the National Endowment for the Arts, CAPS in 1979 & 1980.