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Yours truly provided below for the affair- come take it home with you!
Beauty in Rigor (Two Coats of Paint) is a wonderful essay about some wonderful paintings.
Hi neighbors, or whoever you are who reads this (Mom?). Anyway, life has been just peachy here and so I’ve directed some of that energy into my studio. Yes I’m still making cubes. I’ve been painting, too.
Some of you may have seen the blog I wrote when I started the piece above. I’ve also commented that these forms seem to want to be contained but not by a rectangle. Recently an attempt to determine if a shaped canvas stretcher was the one’s destiny, by using blue painters tape, I had the happy accident of realizing maybe the polygon containers could (should?) be painted. Also really thrilled with the way the color wraps the edge of this one now that it’s stretched. Will no doubt tinker some more but getting close!
I thought the piece above was done back in 2020 but a couple months ago decided- with this one and several others- to revisit the cartoon line (original doesn’t have one actually- I tried so many times to make these work with no line but…). Sketched this one on my tablet first. Line was painted in two layers- one with a lighter, iridescent color and then the top one with a thin, darker crimson. Didn’t get the brilliant purple of the digital drawing but that’s probably impossible*. Brushing the top line repeatedly let the first line show through and pushed the crimson into a secondary, darker outline of the bottom one. *Yes, there are studies underway for what it might mean to really push line into the foreground…
Sonia Delaunay was a key figure in the Parisian avant-garde of the interwar years. Born to a Jewish Ukrainian family and raised in Saint Petersburg, at the age of eighteen Delaunay enrolled at the Academy of Fine Arts in Karlsruhe, Germany. In 1905 she relocated to Paris, where Post-Impressionism and Cubism were dominant in the city’s galleries. In this highly experimental climate, Delaunay and her husband Robert pioneered Simultanism, a style of abstract painting that emphasises the transcendental effects of the interaction between colours. Although like Carla she is no longer with us she is represented at Bienniale.
was (posthumously) in Order and Uncertainty: Five Abstract Painters at MONO PRACTICE (h/t to BmoreArt). MONO PRACTICE showcases local, national, and international artists who work in series with monochromes, modular systems, and engaging perceptions to encourage a dialogue within their community.
Hyperallergic notes that as Tanning took up midcentury painterly abstraction, key philosophical themes from her earlier phantasmal narrative paintings undergo transformations and reiterations.