is also in Order and Uncertainty- along with W.C., Power and Julie.
#lulinlinglu
Beauty in Rigor (Two Coats of Paint) is a wonderful essay about some wonderful paintings.
#maureenmcquillian
Sonia Delaunay was a key figure in the Parisian avant-garde of the interwar years. Born to a Jewish Ukrainian family and raised in Saint Petersburg, at the age of eighteen Delaunay enrolled at the Academy of Fine Arts in Karlsruhe, Germany. In 1905 she relocated to Paris, where Post-Impressionism and Cubism were dominant in the city’s galleries. In this highly experimental climate, Delaunay and her husband Robert pioneered Simultanism, a style of abstract painting that emphasises the transcendental effects of the interaction between colours. Although like Carla she is no longer with us she is represented at Bienniale.
#soniadelaunay
Hyperallergic covers Convergence at Modern West, noting that the exhibition is a compelling, if at times dissonant, examination of the formal and material possibilities at the heart of abstraction.
More
#sheldonharvey
has work up in In Conversation at Hodges Taylor along with Ashlynn.
More (definitely encourage readers to try to see this work irl, as with all Art, but these in particular- the details just do not translate in the tiny image below).
#katymixon
Hyperallergic notes that as Tanning took up midcentury painterly abstraction, key philosophical themes from her earlier phantasmal narrative paintings undergo transformations and reiterations.
#dorotheatanning