Tina Kim includes Lee with several others in TEFAF.
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#leeufan
Artists of my generation possibly associate Jeremy more with his writing than his oeuvre: Saul Ostrow at Two Coats provides a take on his speculations on abstract painting in the context of a recent show.
#jeremtgilbertrolfe
Also known as Bartek Świątecki is a graffiti artist by trade (like Bartłomiej and Mars) that now also makes art for the Art World.
#pener
RETRANSMISSION (at Mirus) was one of the largest and most interesting presentations of Polish non-figurative painting outside of the country. Bartłomiej was included.
#bartłomiejchwilczyński
#martaminujin
Messagier is often associated with Lyrical abstraction, Tachisme (like Oliviér and André), Nuagisme, Art informel and paysagisme abstrait, though the artist himself had never accepted any labels, and had always refused the distinction between abstraction and figuration.
#jeanmessagier
First encountered Yaacov’s work at the Pompidou Center (the installation below). More on this Israeli artist at his site.
#yaacovagam
First ran across Bernard’s work at La Galerie Les Yeux Fertiles while on vacation in Paris. There is little in English about him on the internet. According to this site (copied and pasted I to Google Translate) Bernard Saby (1925-1975) is a French painter and draftsman. After having studied musical composition in his youth with René Leibowitz, he developed a singular and suggestive abstraction, nourished not only by his research in the field of serial music, but also by his experience of drugs, mescaline or hashish in particular, or again by his in-depth study of lichens and ancient Chinese texts.
#bernardsaby
Boooooom has an Artist Interview with Pablo about his involvement with the PARKWAY project.
#pablozamudio
Sonia Delaunay was a key figure in the Parisian avant-garde of the interwar years. Born to a Jewish Ukrainian family and raised in Saint Petersburg, at the age of eighteen Delaunay enrolled at the Academy of Fine Arts in Karlsruhe, Germany. In 1905 she relocated to Paris, where Post-Impressionism and Cubism were dominant in the city’s galleries. In this highly experimental climate, Delaunay and her husband Robert pioneered Simultanism, a style of abstract painting that emphasises the transcendental effects of the interaction between colours. Although like Carla she is no longer with us she is represented at Bienniale.
#soniadelaunay