Like Suzanne, Etel probably doesn’t consider herself a formalist. The textual richness of her subject is belied by the image in the article above so see more…
#eteladnan

Although I don’t paint an interpersonal iconography I am perpetually fascinated by those who do. So glad the pictures in the article above were crap because it lead me to read more about this quite interesting #blackartist.
#suzzanejackson

What more can I say about the democratizing effect of non-mimetic modalities on the arts that would do justice to the rise of a night shift guard at MOMA to the rightful prominence Sol occupies as a conceptual artist*? Just read.
*Right- one should also note that, even though he abandoned the idea of a master narrative in art that preferenced painting, he didn’t abandon the notion that geometric forms are uniquely human.
#sollewit

Biggers is at it again, merging formalism and Afrofuturism (“an aesthetic that imagines the future of Africa and the African diaspora by reassessing the past through science-fiction tropes.“).
#sandordbiggers

Posting about Doug Wheeler made me think about other artists who work in the realm of creating experience that I find to be a cousin of formalist painting. Most of us know this Brit from his musical oeuvre. What he says about his brand of empty formalism is right on, and we share a modality where some artist license/control is measured against chance as an actual tool.
#brianeno

Two of my faves from undergrad, didn’t realize they had a show together in the late ’90s.
#jessicastockholder
#fabianmarcaccio


Saw El at Biennale and was over the moon to walk into NCMA and find that our state is now home to a great piece of his- his modality is similar to Elias Simes, another great hailing from Africa which NCMA has included in the permanent collection. Georgina is also an African artist, who’s work is included because, like El, it reminds me of another artist (Al Loving). Juxtaposing is fun.
#elanatsui
#georginamaxim

