Suzanne Jackson

Although I don’t paint an interpersonal iconography I am perpetually fascinated by those who do. So glad the pictures in the article above were crap because it lead me to read more about this quite interesting #blackartist.

#suzzanejackson

Sol LeWitt

What more can I say about the democratizing effect of non-mimetic modalities on the arts that would do justice to the rise of a night shift guard at MOMA to the rightful prominence Sol occupies as a conceptual artist*? Just read.

*Right- one should also note that, even though he abandoned the idea of a master narrative in art that preferenced painting, he didn’t abandon the notion that geometric forms are uniquely human.

#sollewit

Brian Eno

Posting about Doug Wheeler made me think about other artists who work in the realm of creating experience that I find to be a cousin of formalist painting. Most of us know this Brit from his musical oeuvre. What he says about his brand of empty formalism is right on, and we share a modality where some artist license/control is measured against chance as an actual tool.

#brianeno

El Anatsui and Georgina Maxim

Saw El at Biennale and was over the moon to walk into NCMA and find that our state is now home to a great piece of his- his modality is similar to Elias Simes, another great hailing from Africa which NCMA has included in the permanent collection. Georgina is also an African artist, who’s work is included because, like El, it reminds me of another artist (Al Loving). Juxtaposing is fun.

#elanatsui

#georginamaxim