When I was in grad school I saw Susie talk at the Contemporary Arts Museum in Houston as a part of Abstract Painting, Once Removed— appears some years later she had a solo show there as well. Her work process has always been quite disciplined and it appears the monochromatic pieces of the early 2000s have given way to a broader palette (btw if you like these you’ll also like Sanford and Rob).
#susierosmarin
After blogging about Victor, my thoughts strayed to Richard, who had a lot of influence over me during a specific period of time (the first one is Richard, the second one is mine from ~2000).
#richardanuskiewicz
So yeah it’s probably pretty non-shocking to anyone who knows my work that I think about Victor’s work pretty often.
#victorvasarely
I felt like I’d seen Carlos’s work before seeing the first piece below in #surmoderno. A little internet searching turned up some things that… yeah, I’m sure I’ve seen these in popular culture, definitely the ones in Houston. His work focused (he’s no longer with us) on the kinetic energy of color particularly the #moiré effect.
#carloscruzdiez
Hyperallergic notes Lee’s particular reaction to the “second generation” question of Modernism. A few of Lee’s compatriots also get a mention.
#leeseungjio
Funny that Op Art should pop into my feeds twice in one week. Patrick and Hanz collaborated on a solid piece that’s in Hard Painting x2.
#patrickmorrissey #hanzhancock #morrissey&hancock
A title like Shaking Up Op Art would have caught my eye even if I didn’t see it was from #hyperallergic
#takujihamanaka
Glad to see Ms Riley get a much deserved and well received retro. Hard to overstate her importance to the canon.
#bridgetriley
Like most 80s kids I remember Spirograph so Juxtapoz caught my eye with this one. I had to post them because ANALOG!!! Click through to his IG feed and watch some video.
#jamesnolandgandy
