Martina Nehrling and Gunther Forg

One of the most compelling facets of abstract painting for me are formally similar but conceptually dissimilar works. Martina paints an urban energy where Gunther seeks to emote the experience of being a German.

#martinanehrling

#guntherforg

Brian Eno

Posting about Doug Wheeler made me think about other artists who work in the realm of creating experience that I find to be a cousin of formalist painting. Most of us know this Brit from his musical oeuvre. What he says about his brand of empty formalism is right on, and we share a modality where some artist license/control is measured against chance as an actual tool.

#brianeno

Lygia Clark

Lygia is getting a well deserved revisiting. I think would have shared a lot with the Neo-Concrete movement: Neo-Concrete artists sought to create a multi-sensorial space which caused the spectator to feel more acutely their own body and existence.

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#lygiaclark #neoconcreteart #brazilianart

El Anatsui and Georgina Maxim

Saw El at Biennale and was over the moon to walk into NCMA and find that our state is now home to a great piece of his- his modality is similar to Elias Simes, another great hailing from Africa which NCMA has included in the permanent collection. Georgina is also an African artist, who’s work is included because, like El, it reminds me of another artist (Al Loving). Juxtaposing is fun.

#elanatsui

#georginamaxim

Francesco Clemente

I find his newest clouds quite interesting. Certainly not abstract compositionally (well, not intended to be), they are about an abstraction of an idea. And as a painter it’s hard not to be drawn to their quiet poetry.

Related- they make me realize how much I’ve changed (I found the neoromantics to be pretty ridiculous when I was in art school and they were having their day).

#francescoclemente