Hyperallergic paired Gustav with Eduardo Chillida, for whom a work was a finished thing. Gustav interests me in his preoccupation with work that has limited temporality.
Artforum notes their recent collaboration and that Parreno has often cited Buren’s influence, and Buren included Parreno in an exhibition he curated in 2007. Their work has been shown together on several occasions, and as of 2016 they are both represented by Kamel Mennour (where below occurred).
(Artsy says “Frieze is still happening”)…
(Looks through catalog, sees Evelyn’s piece below)
(Heads over to #richardgraygallery to see more, also discovers Judith whose estate the gallery also represents)
Artforum writes about Wayne’s newest– I didn’t recognize the image at first which I love (when a painter can still surprise). I thought of Harold because- in addition to a shared painter-ly-ness- he’s headed the “opposite” way (towards “figuration”, where Wayne is becoming more abstracted) with his newest.
Two of my faves from undergrad, didn’t realize they had a show together in the late ’90s.
Saw El at Biennale and was over the moon to walk into NCMA and find that our state is now home to a great piece of his- his modality is similar to Elias Simes, another great hailing from Africa which NCMA has included in the permanent collection. Georgina is also an African artist, who’s work is included because, like El, it reminds me of another artist (Al Loving). Juxtaposing is fun.