A friend turned me on to Erin’s feed on Instagram. She’s making photographs btw- if you thought they were paintings, you are into her subject matter. The use of these tensions is well planned, and she also deals deftly with compositional issues.
Ran across a piece by this Chicago artist while Tumblr’ing. He has a show up right now in Portland, as well as an Instagram feed that has a video of one of these assemblages up close.
This one is a #TBT… I got the chance to see this show about 2 years ago when the family was in New Orleans. One of the most interesting exhibits I’ve ever seen, NOMA showed Scully’s work right alongside some Japanese prints, similar to the types which directly influence her work. Check out her website but most importantly, if you ever can, see some in the reals!
In his bio Brody lists “Painter” first, however I was drawn to his works on paper- I’d encourage you to check out his works on canvas, too. He also makes film (this one in particular caught my eye- it is not “retro” stylistically btw, it hails from ’89). In addition he writes about other work he likes.
I have had a Pinterest board of work by Mr Dodge for a while but only got to see this LA-based artist for the first time this summer at the Knoxville Museum of Art. It was interesting recently to listen to this interview and read a synopsis of his most recent show and find we have similar interests- something I don’t always find with painters to which I am drawn.
Hyperallergic is another recent find for me- as is Marcia (apparently as you’ll read in this article, I’m not alone). I am not usually drawn to minimalism for its own sake, either visually over intellectually, but these caught my attention. It was interesting to find out after questioning the initial attraction that one of my biggest inspirations, Robert Irwin, was one of Hafif’s instructors at one point. I hope I get to run across these at some point. While I certainly enjoy a good bit of painting that considers itself conceptual, I tend to be drawn to work that is primarily concerned with formal investigation, which is of course a concept in itself. I think the key distinction is that the impetus of the type of work to which I’m referring points to itself in the end (as the writer puts it, “they offer complex visual, intellectual, and emotional experiences.”). I would encourage the reader to also Google for images of other paintings made by Hafif, she certainly explored several ways of creating these experiences.
Not sure how I ran across Widewalls but I appreciate how they have enriched my RSS feed. A recent discovery there is Matthieu Venot, a French musician turned photographer. His photos remind me of Dibenkorn’s obsession with the light in the Bay Area (except Matthieu lives in Brest). His attention to the moment shows there is always #abstractionallaroundus.
Came across this article from 2016 while doing some research for a commission. They’re pretty amazing- and yes, disorienting- pieces, and if you’ve a chance to see them in person, do.