I ran across Cole’s “199” recently on Tumblr, those of you from Raleigh (like me) may have seen his installation at the CAM in ’12. His recent work includes paintings, works on paper and public Art. I definitely find myself drawn to the planned randomness of these, as well as the early modernist pallet which doesn’t feel derivative so much as aware.
Great write up on Stanley with the context of the current show he has up in NYC by, no surprise, John Yau over at Hyperallergic. I literally can’t add anything other than I have wanted to lick every one of these I’ve ever seen in person.
Isensee is an NC-born painter who has been making work since 80’s Neo-Geo almost ruined abstract painting, and to my eye is committed to formalism (his work is too insistent on being seen to be a sign for some conceptual agenda). Yet another artist I ran across while Tumblr’ing, he shows with Danese Corey. Looking forward to what’s coming based on the works on paper he’s been posting on his Instagram feed.
Ran across a piece by this Chicago artist while Tumblr’ing. He has a show up right now in Portland, as well as an Instagram feed that has a video of one of these assemblages up close.
This one is a #TBT… I got the chance to see this show about 2 years ago when the family was in New Orleans. One of the most interesting exhibits I’ve ever seen, NOMA showed Scully’s work right alongside some Japanese prints, similar to the types which directly influence her work. Check out her website but most importantly, if you ever can, see some in the reals!
In his bio Brody lists “Painter” first, however I was drawn to his works on paper- I’d encourage you to check out his works on canvas, too. He also makes film (this one in particular caught my eye- it is not “retro” stylistically btw, it hails from ’89). In addition he writes about other work he likes.
I have had a Pinterest board of work by Mr Dodge for a while but only got to see this LA-based artist for the first time this summer at the Knoxville Museum of Art. It was interesting recently to listen to this interview and read a synopsis of his most recent show and find we have similar interests- something I don’t always find with painters to which I am drawn.
Hyperallergic is another recent find for me- as is Marcia (apparently as you’ll read in this article, I’m not alone). I am not usually drawn to minimalism for its own sake, either visually over intellectually, but these caught my attention. It was interesting to find out after questioning the initial attraction that one of my biggest inspirations, Robert Irwin, was one of Hafif’s instructors at one point. I hope I get to run across these at some point. While I certainly enjoy a good bit of painting that considers itself conceptual, I tend to be drawn to work that is primarily concerned with formal investigation, which is of course a concept in itself. I think the key distinction is that the impetus of the type of work to which I’m referring points to itself in the end (as the writer puts it, “they offer complex visual, intellectual, and emotional experiences.”). I would encourage the reader to also Google for images of other paintings made by Hafif, she certainly explored several ways of creating these experiences.
Came across this article from 2016 while doing some research for a commission. They’re pretty amazing- and yes, disorienting- pieces, and if you’ve a chance to see them in person, do.