Since the early 2000s, his vibrant animations have explored the aesthetic and conceptual possibilities of code, treating it as if it were paint. an innovator in the realm of Internet-based art, Rozendaal’s goal is for us to experience a state of immersion so complete that it becomes one with our physical world. His work will be shown at MOMA through this Spring.
More
#rafaelrozendaal
The Artsy Vanguard 2025 artists are breaking new ground with original work and gaining momentum through acclaimed solo shows, prestigious institutional exhibitions, representation with tastemaking galleries, and bold art fair presentations, among other art world accolades. Like past Vanguard artists, they’re ones to watch. Laís is included as is Emily.
#laisamaral
like Leika Felizia’s work gets a nod from Artsy for (posthumous) inclusion at Frieze London. The first blog I ever wrote (about Julie) in October of 2018… was in the context of Frieze.
More and more
#felizabursztyn
Jason says Gaby is concerned with the raw material of lived experience and the digital frequency that we personally stream. The writer (also a painter) and subject artist discuss further.
#gabycollinsfernandez
For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey. Throughout her decades-long career, Sterling-Duprey has paid close attention to how movement appears in painting and how dance lends itself to its own kind of painterly gesture. She has distilled elements of both disciplines to their constituent parts, which can be broken down into kinds of information: visual, spatial, tactile, sonic, and so on.
#awildasterlingduprey
Jesús was a pioneer of the idea that a viewer could actually walk into an artwork and experience it from the inside, something we now take for granted, but which was revolutionary in its time. Born in Venezuela, it was in Paris in the 1950s that he immersed himself in the movements that were transforming Geometric Abstraction by using effects of motion and movement to bring artworks to life: literally, as in Kinetic Art, or metaphorically, as in Op Art, in which paintings or sculptures appear to be moving due to visual trickery. His works were realized on increasingly grand scales, so that eventually viewers could move within and throughout his vast sculptural forms. This made his work perfect for realization as grand public art, and so his legacy is visible across many cityscapes today.
#jesusrafaelsoto
Maria (who shows with David Castillo) has developed an index of color relations to determine specific emotions, memories and spirituality. The colors can be autonomous or have a new meaning altogether when encountering other colors and the forms they inhabit. The artist’s work is about the history of her body (a Cuban born body) in a permanent state of displacement and exile. Her paintings try to express the state in which this happens. They are about the inability to belong in any defined structure.
#ariadelosangelesrodriguezjimenez
is currently showing Precarious Habitats at Meredith University’s Weems Gallery. Ferreira’s work incorporates thread, yarn, found, and heirloom fabrics, as well as a variety of repurposed materials, such as plastics, to create sculptural embroidered paintings.
#patriziaferreira
I bought a back issue of Art Papers recently that featured an image of Paul’s work to highlight Geane Moreno’s essay about erotic abstraction “Pushing into Darkness” (which I can’t find a link for anywhere in the internet) that also gives Ernesto a nod.
More
#paulhenryramirez
Painting After Art is Dead 