who has been mentioned on this blog many times (in their capacity as a writer) is showing at Ptolemy with Larry and Michele. There are definitely recognizable shapes in their work.
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#adamsimon

who has been mentioned on this blog many times (in their capacity as a writer) is showing at Ptolemy with Larry and Michele. There are definitely recognizable shapes in their work.
More
#adamsimon

is in Slip with Barbara*. Her recent work stems from using irregularly shaped remnants of dyed leather as raw material. She interweaves spectrums of them, pulling strips taut as she attaches them to stretcher bars with upholstery tacks. The narrowing and curving of the pieces warp the grid and pull colors through in unexpected ways.
* yes below is the image I posted yesterday with my blog on Barbara so hit the link above
#oliviabaldwin

is one half of Slip at Overlap (with Olivia Baldwin*). She is particularly drawn to and work within the themes of landscape, femininity, and beauty.
*Two Coats published a conversation between Barbara and Olivia in the context of their exhibit
#barbaraowens
UPDATE apologies to Barbara for initially publishing a post with an image incorrectly attributed to her

was interviewed recently by Noah Becker, founder and writer at Whitehot Magazine, in the context of his newest in London at Massimo de Carlo.
#peterschuyff

No one who regularly reads this blog will be surprised to see Sharon’s name, but perhaps surprised for me to blog about her. I have of course (before today), originally in 2020, as I was first discovering my favorite blogazine, when she juried/curated The Daily. The second image below is from a series of paintings that she was making at the time based on very quick sketches she was doing on her phone. The work for me was a step beyond provisional painting, and had a sincerity and love for materials that is lacking in that group. As a creative focused on the active faith it takes to produce in a time after Art has died, while holding the contradiction that it is likely a pointless activity, really resonated, and still does.
Sharon has started off 2026 with a couple of very interesting projects-one at McBride Dillman* and another at CLEA RSKY – so I wanted to update my flowers for her.
*from the gallery- “Sharon Butler’s “new casualism” takes up the incomplete, the provisional, and the unfinished as meaningful categories. Her paintings challenge the authority of polish and perfection, foregrounding process as a form of truth-telling.”
#sharonbutler


I was surprised to find I’ve never noted Peter, probably because he’s often the source of a good Two Coats article rather than the subject (Jonathan covers his newest at Nancy Hoffman calling them “portals and vortexes”).
#peterplagens

I first became aware of Tillyer’s work when I stepped into Bernard Jacobson’s booth at the 2020 iteration of the Armory Show, which is also when I learned that Jon Yau called William the most adventurous artist of our time. That’s high praise indeed considering he’s a contemporary of David Hokney, Howard Hodgkin and Richard Hamilton. Yes that’s means this blog is year another refresh.
Grace Palmer did a nice review of The Watering Place at Jacobson last Fall about “the Art world’s misunderstood beauty.”
#williamtillyer

catches the eye of Jacob at Two Coats for her newest with Lucas Blalock (not an abstractionist) at Bureau, including below (which is collaged, and also quite different from the rest of her works in the show).
#juliarommel

I first blogged about Hedda in early 2020 because I was so over the moon to see MOMA give Hedda her due in their (at the time) new gallery reconfiguration. Hedda has a prominent place in Art History as the only woman Artist featured in Nina Leen’s iconic Life Magazine photograph of the New York Abstract Expressionist group’s “membership” (below).
Jason at Two Coats has words about the recent Dreamscapes at Van Doren Wexter.
I am continually in awe of the #9thstreetwomen* and their truly Modernist commitment to artistic practice- they always made work, even as their male counterparts (and spouses!) stole the limelight. *Speaking of the now well known tome, enjoy this interview (YouTube video in link) with author Mary Gabriel (I know I will).
#heddasterne



My favorite Art critic is at it again. John Yau recently visited a (posthumous) exhibit of Edward’s work.
(If you like below check out Susanna)
#edwardzutrau

Isensee is an NC-born painter. Riad at Whitehot notes his newest at Miles McEniry.
I first blogged about their work early on (2018!), and att I made a note about how Neo-Geo almost ruined abstract painting (Warren has been making work since the 80’s- here is something from 2001) and that to my eye their practice is committed to formalism (writing that his work is too insistent on being seen to be a sign for some conceptual “agenda”).
#warrenisensee

catches the attention of Adam Simon, who notes that in her newest there’s a “manic energy” but “also a high degree of control and an extensive repertoire of incidental mark making” (Newman uses novel combinations of materials – acrylic and oil paint, flashe, spray paint, and ink).
#lauranewman

Taking a different direction from the last time I wrote here and I’ll begin the same way- some of you might not have the capacity to engage on this topic what with (waves hands around in the air) everything going on, and we will see you around some other time.
And “yes” I’m intentionally making this title a contradiction to my last essay. I’m full of surprises, I know.
Hyperallergic published a Rhea Nayyar essay recently that caught my attention, I admit, out of a typical suspicion I feel whenever people try to smash science and Art together- ;tldr I was disappointed in that regard, and inspired. The article “references new research which posits museums and galleries as ‘accessible, non-clinical spaces for preventive health promotion’…“. Y’all know two things can both be true, right? So “Art is a salve for the soul” can be corny and true. While Nayyar’s intent is that old saw that there’s no substitute for seeing “real” art which I completely agree with and tell my students on the reg, I stayed for the data (link to a pdf) on Art-viewing lowering cortisol levels, as someone who cares about that stuff. So I’ll go ahead and hypocritically fall head first into a trap of my own design and say, with moral clarity, that outcome (Art = better mental state) is a “good” thing.
The topic of the article reminded me I’ve blogged before** about another academic’s essay (link is a pdf) with a similar thesis- “awe felt during experiences with religion and spirituality, nature, art, and music” serves as “the motivation to be good to others.” Feeling good and doing good are clearly not the same and “yes” I think it would hard to do the latter without the former as well.
There’s an another piece of context for this essay, too. Two hours before finishing it, I was standing on a sidewalk with hundreds of other people to say “thank you” to a small group of Buddhist Monks from Fort Worth, Texas who are currently walking the 2,300 miles to Washington, DC, to promote peace and nonviolence. Their gift to us in these trying times has been very inspirational- I chose to walk the 2 miles from my house to downtown in small act of solidarity. And I’m not alone either, not just as someone who has been moved but who felt literally, physically drawn to the energy of this moment in history.
Am I projecting because I was just around so many people that seemed to share my values? Even if so, it can still be true that **it feels good to work for “good.”** I know I just rambled off some science at y’all earlier, and, I also doubt many of you needed to read **that** sentence to know and believe the sentiment.
While I try to be clear headed and fair when I write, I do this thing, like all other writers, out of passion about a topic. I’m not doing this to be right or have a winning argument. In fact, I’m fine with the contradiction that two weeks ago I wrote that moral clarity about good and evil doesn’t lead to desirable outcomes by default and my thesis for today- which is? It sure would be awesome if more folks woke up in the morning and intended to go out into our hurting, scary, intense communities and do something… good! That doesn’t have to be make Art (although looking at some can’t hurt, obviously, and is always appreciated), and it doesn’t have to be something as selfless and heroic as walking two thousand miles. Let the spirit of “good” guide you.
**”yes” it’s sort of wild to re-read a ’21 essay and remember when Small School was still getting going, what with all they’ve added to our community; I’m bummed that the weather kept Jody Servon away this weekend but more events are scheduled (link above is to their events page). And I’ll gladly re-commit a professional error as a writer and admit “yes” I still love how Jean Gray makes our scene awesome- you, too, Pete.