Austyn Weiner

says about his newest which Artforum notes that “these paintings have been made through a pandemic, through a civil unrest in my country, and now through fires ablaze all around me. The title “Nobody’s Baby” eludes to a longing for guidance, and a need for stablity and intimacy…”

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Otto Zitko

For an artist whose bright oil stick lines often explode, uncontained, across the walls and ceilings of galleries, it feels fitting for this moment—one of physical distance, meditation, and uncertainty—that the works in Otto Zitko’s exhibition “In Times Like These” are anxiously restrained to canvas size

More (older installation work like below)

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Nonggirrnga Marawili

taps the Earth for her materials and muses. Her works—prints, works on paper, paintings on bark, and larrakitj (memorial poles made from the bark of eucalyptus trees)—are often made with natural ochers that coalesce in spontaneous webs of lines and dots. The resulting works are ethereal, expressive interpretations of water.

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