The latest from this Brazilian artist on Artforum.
#brunodunley
I vaguely remember the ’90s (I was early 20s so enough time has passed that it’s hard for one to be honest about their import at the time). Anyway, Per’s work from that time grabbed a young artists who loved painting, but really didn’t want to like the neo-expressionists who I was sure at the time actually hated painting (see what I mean?). RIP
#perkirkeby

Suzanne Hudson at Artforum takes the occasion of Deborah’s (eventually) forthcoming retro to revisit the arc of her career.
#deborahremingron

Repetitious Visitation is from 1987- Ross was one of the painters that managed to keep the art world’s attention during an era when painting was largely out of favor.
#rossbleckner

Getting ready to teach this Spring, and was perusing MOMA’s collection, using filters for the twentieth century, to look for artists which might make good examples for any one of the six concepts I want to cover in the class. My search turned up (among others that I’ll blog about over the next couple of weeks) a piece by Bradley
#bradleywalkertomlin

BMoreArt approaches Hasani’s newest at Resort as an immersive sensual experience which gets processed for the viewer/reader as an interview as well.
#hasanisahlehe

I’ve posted on a number of artists making art from and focused on woven and sewn material (as opposed to applying paint to flat surfaces) and so was glad Boom noted Macarena who is a self taught textile designer based in Los Angeles, California, producing colourful rugs and often collaborating with other artists to bring their drawings to life.
#macarenaluzi

Artnews notes that* Yoo is/was one of Korea’s best artists and is now coming into focus (*like Zao).
#yooyoungkuk

Artforum notes Karen’s newest: Middle Ground is centered around her current bas relief works and her early “zipper” series, both bodies of work that deploy geometric configurations to explore the convergence of gender, nature and the material world.
#karencarson
