I’ve posted on a number of artists making art from and focused on woven and sewn material (as opposed to applying paint to flat surfaces) and so was glad Boom noted Macarena who is a self taught textile designer based in Los Angeles, California, producing colourful rugs and often collaborating with other artists to bring their drawings to life.
#macarenaluzi
Two Coats gallery guide (which I love to read and feel jealous of all of you who live in NYC) notes The Subsuming Ellipse at Carvalho Park. The work is fiber-based.
#mimijung
Posting about Rosie recently made me realize that I should look into the quilting “movement” from Gee’s Bend. This article has some more context on the medium’s recent impacts.
#anniemayyoung
(also, and, for those interested in movements in material art here’s the post I did on the women of Bauhaus)
Artforum notes an online solo exhibition at White Cube of recent jute sack paintings by Ibrahim Mahama. “In these works, Mahama continues his interrogation of the principle that by engaging with the failures of the past it is possible to ignite new value systems for the future. By so doing, there is the potential to engender economic change that would lead to labor reforms. Produced in his native Ghana with the help of “collaborators,” the jute sacks from which the paintings are created point to histories of trade and commerce and the personal stories of their handlers…”
#ibrahimmahama
In Caroline one-person exhibition at Fondazione Giuliani, watercolor, ceramic, bamboo, and wool are the protagonists of a narrative that seems to emerge from the viscera of creative expression. The French-born artist’s works take possession of the gallery space like three-dimensional biomorphic entities, even when simply hung on the walls like paintings.
#carolineachaintre
Artsy says Ethan is one to watch– easy to imagine these works “characterized by their meditative, process-focused qualities and limited color palettes” have a physicality that pictures can not capture.
#ethancook
Artforum has words about Myra’s current series of textually deep work that underscores, I think, the potential of non-representational work to carry potent symbolism:
“Piecework refers to labor paid according to the number of items produced rather than the amount of time spent on the job. Often associated with the ruthless economic exploitation of the nineteenth and early-twentieth centuries, this system …is sadly making a comeback—thanks to its versatility in allowing employers to get around minimum-wage and other labor laws…”
#myragreene
Was reading the print edition of Artforum when the image below grabbed me. Which lead to reading this interesting interview about the themes that- like the disparate materials she uses- are woven, literally, into her work.
#anncathrinnovemberhøibo
Ruth popped into my field of view recently because #hannahturpin curated her show at the #carnegiemuseumofart.
#ruthroot
#tbt
Not surprising given its genesis in the 20s to read in this show review of the (not only) marginalization but exploitation of the women of Bauhaus.
#bauhaus #womenartists #earlymodernism
Wow- see more.
One of the most interesting takes on the question of what is painting I’ve seen recently.
#meglipke
