Nelly earned a scholarship to study at the renowned design school in Bloomfield Hills, Michigan, where she became immersed in the ethos of Scandinavian modernism and Marianne Strengell’s experimental, textural approach to fiber arts.
Curated by Nancy Adajania, The Unpaved, Crusty, Earthy Road is research-driven retrospective is a first for the artist, bringing together three decades of her tapestry production with digital prints of site-specific installations and research material.
Jackie has quite the portfolio of paintings and other objects.
I’ve posted on a number of artists making art from and focused on woven and sewn material (as opposed to applying paint to flat surfaces) and so was glad Boom noted Macarena who is a self taught textile designer based in Los Angeles, California, producing colourful rugs and often collaborating with other artists to bring their drawings to life.
Artforum notes an online solo exhibition at White Cube of recent jute sack paintings by Ibrahim Mahama. “In these works, Mahama continues his interrogation of the principle that by engaging with the failures of the past it is possible to ignite new value systems for the future. By so doing, there is the potential to engender economic change that would lead to labor reforms. Produced in his native Ghana with the help of “collaborators,” the jute sacks from which the paintings are created point to histories of trade and commerce and the personal stories of their handlers…”
In Caroline one-person exhibition at Fondazione Giuliani, watercolor, ceramic, bamboo, and wool are the protagonists of a narrative that seems to emerge from the viscera of creative expression. The French-born artist’s works take possession of the gallery space like three-dimensional biomorphic entities, even when simply hung on the walls like paintings.