In his most recent exhibition, Federico Herrero once again suggested open questions about what landscape could mean, but also formulated an evolving proposal of what already exists.
#federicoherrero

In his most recent exhibition, Federico Herrero once again suggested open questions about what landscape could mean, but also formulated an evolving proposal of what already exists.
#federicoherrero

Saw below during a recent visit to LACMA. In the 1920s, Carlos Mérida was deeply committed to the Mexican muralism movement and to extolling the peoples and traditions of Mexico. In the 19405 and 1950s, however, he began experimenting with a greater range of styles, including abstraction. Increasingly distancing himself from the muralists, Mérida developed a dynamic, geometric style that is as much indebted to Cubism as to international postwar geometric abstraction.
#carlosmérida

Lygia Pape (7 April 1927 – 3 May 2004) was a Brazilian visual artist, sculptor, engraver, and filmmaker, who was a key figure in the Concrete movement and a later co-founder of the Neo-Concrete Movement in Brazil during the 1950s and 1960s. Along with Hélio Oiticica and Lygia Clark, she was an important artist in the expansion of contemporary art in Brazil and pushed geometric art to include aspects of interaction and to engage with ethical and political themes.
I saw below at the Art Institute in Chicago recently, part of an exhibition of her prints.
#lygiapape

First encountered Nora at Expo Chicago (has been fun to see below in other Art-worlders’ feeds). More
#noramaiténieves

Anthony Garcia-Copian is an abstract acrylic painter, born in Cuba, and now based in the Triangle.
#anthonygarciacopian

#carmenanzano

I first ran across Jaime on Abstraction in Action, a broad and dynamic platform dedicated to the promotion and research of contemporary abstract art from Latin America.
#jaimeavila

makes some pretty amazing installations.
#ivelissejimenez

Claudia de la Torre: Palimpsest at Miriam embodies the true character of this form through an interactive, site-specific installation that invites visitors to collectively produce the work over time. The work utilizes basic materials and prompts for engagement as the foundation for a performed drawing, print, and ultimately a publication.
#claudiadelatorre

#martaminujin

Hyperallergic says that in the universe created by the 2022 Southeast Queens Biennial, abstract art invited viewers to engage their imaginations and to consider the multiple realities conveyed by the artists through their distinctive visual languages. José’s work is included.
#josecarloscasado

Hyperallergic suggests Eamon’s abstraction is from a different origin. The show in question is Eamon Ore-Giron: Competing with Lightning / Rivalizando con el relámpago at MCA Denver. Gotta love any creative who has a series titled “Talking Shit.”
#eamonoregiron
