Harper’s is posthumously showing work by Iris from the ’60s and ’70s.
#irialeino
gets a nod for below from Two Coats of Paint October selected guide to painting-centric exhibitions.
#paolaoxoa

is a Brooklyn-based artist whose work spans painting, sculpture, video, and installation. Through material explorations with paper, fabric, plastic, oil pastels, and paint, Almeida investigates the tension between functionality and abstraction, interior and exterior, and the individual and the environment. Artsy notes she (like Suzanne and Teresa) is having a good moment.
#anaclaudiaalmeida

underlying fascination with the undefinable nature of existence has spurred a lifelong exploration of what they call the “dark source.”
#raquelrabinovich

Sweet shades of Carlos Cruz Diaz these are some sublime paintings. Suzanne shows with White Cube.
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#suzannesong

work explores the intersection of pattern and symbol in Surinamese Maroon culture, the larger African Diaspora, and twentieth-century modernism. He was recently in Carried Over as part of the International Studio & Curatorial Program.
#remyjungerman

Back in May, Debra at Hyperallergic drew our attention to the unexpected beauty of detritus. Specifically, how, through his art, Yuji brings reverence and discipline to the job of living, and acknowledges each human’s durational condition. They are abstract in the sense that compositional decisions are driven by formalist prerogative (they are clearly recognizable materials also).
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#yujiagematsu

born in Chicago to a Lebanese father and American mother, John studied architecture at Washington University, St. Louis (BA 1990) and fine art at Bard College, New York (MFA 2005). Taught at School of Visual Arts (2008-11) and as visiting professor at Cornell University (2010-11). Manifold group exhibitions, mostly in U.S.A. (predominantly New York and California), but also in Lebanon and Canada. Prolific lecturer/panel member for Lebanese and Middle Eastern art. Based in Brooklyn, New York.Also shows with Walter Maciel.
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#johnjurayj

Over at Burnaway Merin McDivitt reviews Asheville’s Blue Spiral 1 summer group exhibition, where artists adopt an irreverent approach to surfaces. The show includes Caroline among others.
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#carolinecollom

like Jean Alexander is a Hopper Prize finalist. Her practice serves as a reclamation of the value of textiles and embroidery in fine art.
#annevonfreyburg

is a recent Hopper Prize recipient. She extracts the shapes in her compositions from observational sketches of everyday, domestic moments.
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#yeonjichung
