Ann is a New York City painter and colorist who, lately, has been intrigued by how repeating a plaid arrangement of four colors numerous times changes how color is seen.
More (from Two Coats)
#annschaumburger

Ann is a New York City painter and colorist who, lately, has been intrigued by how repeating a plaid arrangement of four colors numerous times changes how color is seen.
More (from Two Coats)
#annschaumburger

Two Coats has words about Annette’s solo show “Watching from the Other Side” at Hesse Flatow in Chelsea, where “elegant shapes shine through dappled light and leaves. Oils blur, drip, or dive across the surface at wild angles. But discolorations and deformations suggest that something is unresolved, something is in process.”
#annettehur

Hyperallergic says the Houston artist conveys a restless, open, and experimental temperament that is in dialogue with his better-known contemporaries.
Also, “damndazzled Generalizing specificity” (below) is an awesome title.
#hjbott

is a painter’s painter
#kristaharris

Not a lot I could say about Anish that hasn’t already been said other than it’s surprising I’m just getting to blogging about him (realized he was missing when writing about Point of Departure which features him alongside Mavis and Tony and Donald and others).
#anishkapoor

BlackFlash Magazine’s December 2021 Issue Examines Islamic Art Traditions in Canada. In “Infinities,” guest-edited by curator and art historian Nadia Kurd, artists and writers discuss the influence of Islamic visual cultures in Canadian contemporary art. Shaheer gets a nice mention and an image.
#shaheerzazai

Thomas Erben is presenting Gestures of Affection: In Memory of Louise Fishman, curated by Melissa E. Feldman, which includes a number of artists I’ve blogged about and also Dona.
#donanelson

In 1946, eighteen-year-old Mavis Pusey moved to New York from Jamaica to study at the Traphagen School of Fashion and, later, at the Art Students League. By 1969, she had worked in London as a patternmaker for Singer for nearly a decade. She then returned to New York to work at Robert Blackburn’s printmaking workshop—an important collaborative studio where artists were encouraged to experiment and freely exchange ideas.
#mavispusey
