Rebecca Pempek

is a recent MFA recipient from UNC. Her most recent painting and printmaking work utilizes her pelvic MRI scans to interrogate the history and mythologization of female pain. By layering and abstracting 17th-century reproductive anatomical illustrations with fauna imagery and gestural mark-making, she reclaims agency over the narratives of chronic pain.

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Marthe Keller

Marthe is an independent artist whose installations and assemblages explore painting on and off the stretcher. Her work grows out of the material conditions of its making, often incorporating found materials and pigments to make her own paint for maximum control over its viscosity, tranparency and intensity of color.

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Cecily Kahn

As a native New Yorker, Cecily says her ” paintings have always reflected the angularity of the city. I spent years making paintings of buildings, roof tops, and finally maps of the city. I began to play with the map image, layering one on top of the other thus creating new forms. Eventually, these map paintings shed their representational base and became more internal, psychological maps.”

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Florence Miller Pierce

(According to Pie Projects who represents her state) Independent at an early age, Florence ventured from her home in Washington D.C. in 1936 to pursue her passion for art. Her journey led her to the most renowned art destinations in the United States; New York, Los Angeles and Taos. Her final residency was in New Mexico where she developed her most notable work, the resin relief. The purity of light and color within each piece reflect her western inspiration.

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Michael Alexander Campbell

In his most recent works, Campbell employs wax, oil paint, and traditional techniques such as glazing and impasto. He exposes his canvases to the elements, allowing the weathered surfaces to coexist with areas of meticulous, classical brushwork. The result is a body of work that is simultaneously raw and refined.

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Rafaël Rozendaal

Since the early 2000s, his vibrant animations have explored the aesthetic and conceptual possibilities of code, treating it as if it were paint. an innovator in the realm of Internet-based art, Rozendaal’s goal is for us to experience a state of immersion so complete that it becomes one with our physical world. His work will be shown at MOMA through this Spring.

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Catherine Goodman

For London-based artist Catherine Goodman CBE, drawing and painting are meditative acts, whether performed in the silence of her studio or the landscapes that call her back time and again. She infuses her practice with inspiration gleaned from poetry, film, travel, and memory. Goodman and Ann C. Collins at Brooklyn rail met over Zoom to talk about Silent Music, Goodman’s exhibition at Hauser & Wirth that presents large-scale abstract paintings that pulse with her expressive brushwork and vivacious use of color.

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Jean Rim

Rim’s artistic carving process draws inspiration from organic, repetitive arrangements found in nature—the iridescent scales of a fish, the elegance of Fibonacci spirals, concentric circles in water—and these patterned worlds emerge through a careful carving and gauging process that reveals layers of kaleidoscopic color in the underpaint.

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