is a multimedia artist working with textiles, ceramics and painting.
#celiagray
Adam Simon at Two Coats pays respect to Raphael Rubenstein’s take on Paul and also notes that one tends to take in a Pagk canvas quickly, making it easy to miss the many ways in which his false starts, reiterations, miscues, and reworkings belie his apparent minimalism and austerity.
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#paulpark
Mary Sargent at Two Coats of Paint posits that Renée’s recent work (from “Behind the Pale,” a solo show at Prince Street Gallery ) has developed an intensely methodical art-making process and produced a luminous body of work that seems to transcend the frustrations and anxieties of contemporary life.
#reneekhatami
Betty Cuningham Gallery recently opened What happened to Abstraction? featuring Jake’s abstract paintings from the 1970’s alongside of his imaginary landscapes completed the last 20 years of his life (he shuffled loose in ’14).
#jakeberthot
Larry Ossei-Mensah predicts to Artsy that abstraction by artists of color will become even more prominent in 2023. The genre, Ossei-Mensah believes, is essential to shifting the public’s belief that artists of color should only make representational work that is immediately legible. He refers to Atta.
#attakwami
is in Considering Female Abstraction at Green Family Foundation long with Marie and Austyn.
#briannabass
Born in Birmingham, England in 1939, John Walker was educated at the Birmingham School of Art and Académie de la Grande Chaudière, Paris. In 1976 he was awarded the John Moores Painting Prize, represented England in the 1972 Venice Biennale, was nominated for the Turner Prize in 1985. Since then, he has gone on to receive numerous awards and honors and has exhibited both nationally and internationally. The Ogunquit Museum of American Art recently organized From Low Tide to High Tide to highlight his work.
#johnwalker
#carmenanzano
Rebecca is a Canadian multi-disciplinary artist who works in painting, textiles and printmaking. Her work is an investigation into painterly abstraction drawing from visual histories of feminism, occultism, and alternative medicine.
#rebeccabrewer
Artforum sez Daniel’s work is animated by the faith that materials are meaningful.
#daneielturner
Artforum notes that Bonolo decided early in her career what she did not want her art practice to be about: the political burden of being a Black woman in South Africa. Born in 1992, the artist found that most of the art history she encountered in her country was charged with the discourses of racial and cultural identity politics. Since her time studying at the Michaelis School of Fine Art in Cape Town, Kavula has been determined to play and experiment with form.
If readers find the broader conversation about abstraction in the hands of Black creatives interesting, you should look at Artsy’s ’23 curator outlook in which Larry Ossei-Mensah predicts that abstraction by artists of color will become even more prominent in 2023.
#bonolokavula