is a painter’s painter
#kristaharris

is a painter’s painter
#kristaharris

Not a lot I could say about Anish that hasn’t already been said other than it’s surprising I’m just getting to blogging about him (realized he was missing when writing about Point of Departure which features him alongside Mavis and Tony and Donald and others).
#anishkapoor

BlackFlash Magazine’s December 2021 Issue Examines Islamic Art Traditions in Canada. In “Infinities,” guest-edited by curator and art historian Nadia Kurd, artists and writers discuss the influence of Islamic visual cultures in Canadian contemporary art. Shaheer gets a nice mention and an image.
#shaheerzazai

Thomas Erben is presenting Gestures of Affection: In Memory of Louise Fishman, curated by Melissa E. Feldman, which includes a number of artists I’ve blogged about and also Dona.
#donanelson

In 1946, eighteen-year-old Mavis Pusey moved to New York from Jamaica to study at the Traphagen School of Fashion and, later, at the Art Students League. By 1969, she had worked in London as a patternmaker for Singer for nearly a decade. She then returned to New York to work at Robert Blackburn’s printmaking workshop—an important collaborative studio where artists were encouraged to experiment and freely exchange ideas.
#mavispusey

lived from 1902–1971 and has 8 works in the Whitney’s permanent collection, including below which graces the cover of the catalog for Labyrinth of Forms, a group retrospective on the work of 27 women artists from the first half of the last century.
#iricepereira

Like many early Modernists Blanche’s work (1878–1956) evolved into abstraction. She is also in Labyrinth of Forms.
More
#blanchelazzell

Hans-Ulrich, AKA Jimmy, (1920–1984) has 6 works in the Whitney’s collection (including below which caught my eye) I recently discovered while looking at Blanche’s work.
#jimmyernst
