womenartists – Page 42 – Painting After Art is Dead

Kathleen Kucka

gets a nice mention in Two Coats article about Material Mutations, part one; The Canvas at Transmitter.

#kathleenkucka

Dodda Maggy

Hyperallergic says many of the works in Iðavöllur are big and chock-full of issues and socially engaged ideas, like so much art elsewhere. Dodda gets a nice nod.

#doddamaggy

Sheela Gowda

Hyperallergic notes that the work Sheela (and others) have in Fault Lines prove that abstraction need not be confined to the inner life of the artist.

#sheelagowda

Cristina Ghetti

got a nod from Geometricae recently.

#cristinaghetti

Jaclyn Sanders

I’ve watched Jackie’s work evolve over several years (we are in the same crit circle), and I’m thrilled to be showing with her and Anna and Adriana.

#jaclynsanders

Adriana Ameigh

Adriana’s work borrows iconography and impressions (and colors!) from her childhood in Puerto Rico. She’s also in Edge and Form with Anna and myself.

#adrianaameigh

Anna Payne Rogers

Had the pleasure of getting to meet Anna recently as we are in Edge and Form together.

#annapaynerogers

Jean Gray Mohs

Met Jean recently when she and Katie were taking down their show at 311. She’s interested (I think, also because I am…) in the “thingness” of paintings.
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#jeangraymohs

Katie Antonazzo

Met Katie recently when installing a show at 311 Gallery (she was packing up and I was packing in).

#katieantonazzoart

Caroline Kent

Caroline makes schematic abstract paintings, which have aspects of doubled, mirror-like imagery. An underlying fiction of her art is the presence of twins, Victoria and Veronica, who speak to each other and to the painter’s audience via the works she creates.

#carolinekent

Pat Adams

Jennifer Samet at Hyperallergic has a beer with Pat.

#patadams

Li Trincere

is also in The Neo & the Geo with Max and Mark.

#litrincere

Sarah Cain

Sarah was recently interviewed by Maddie Klett where they cover “the musk of our respective houses, not fully understanding musical notion, and making impressive art out of dumb ideas.”

#sarahcain

Stacy Fisher

Hesse Flatow is pleased to present The Fact That,an exhibition of abstract paintings by Stacy Fisher. The exhibition borrows its title from the novel Ducks, Newbury Port by Lucy Ellmann. Written as a stream of consciousness narrative, the protagonist speaks in a single run-on sentence and her brief thoughts are often introduced by the phrase “the fact that.” When painting, Fisher, like the narrator, lets her mind wander and land on fleeting moments. This meditative practice allows her the freedom to delve into different styles and color palettes.

#stacyfisher

Marina Rheingantz

shows with Bortolami Gallery.
#marinarheingantz