Sonia Delaunay

Sonia Delaunay was a key figure in the Parisian avant-garde of the interwar years. Born to a Jewish Ukrainian family and raised in Saint Petersburg, at the age of eighteen Delaunay enrolled at the Academy of Fine Arts in Karlsruhe, Germany. In 1905 she relocated to Paris, where Post-Impressionism and Cubism were dominant in the city’s galleries. In this highly experimental climate, Delaunay and her husband Robert pioneered Simultanism, a style of abstract painting that emphasises the transcendental effects of the interaction between colours. Although like Carla she is no longer with us she is represented at Bienniale.

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Arlene Slavin

Mark Borghi explores Arlene’s vibrant diagonal gridwork encompassing 50 years of work at its Sag Harbor location. Slavin is a painter, sculptor and printmaker, who also created large-scale public art commissions. She is best known for her use of brilliant colors and unique handling of transparency in paint.
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Deborah Dancy

Sharon interviews* Deborah about how her big abstractions have migrated from the murky darkness inspired by research into the lives of her Black ancestors, who were enslaved in the South, to a visual language informed by the rural landscape that surrounds her home and studio in Storrs big abstractions have migrated from the murky darkness inspired by research into the lives of her Black ancestors, who were enslaved in the South, to a visual language informed by the rural landscape that surrounds her home and studio in Storrs.

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*Sharon also records podcasts for many interviews

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Daisy May Sheff

there is something polluted about Sheff’s bucolic tableaux. Animals in repose are disturbed by passages of mottled hues that refuse to settle into familiar, nameable shades. The chroma are telluric and ripe, even vaguely threatening. Painter Amy Sillman, whose work seems an inspiration to Sheff, has described her own use of color as a tool of negation.

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