Jane combines traditional and contemporary materials, exploring the relationship between abstract minimalist composition and the sentimental qualities of ceramic, textiles and found objects. Here is her video The Colour of Words, a recitation of some poetic musings by Jane about colors she encounters over a montage of related images- not abstract, and also about color in the abstract.
#janebustin
was included in Tina Kim’s Frieze London booth. Suki assembles her sculptures according to an idiosyncratic syntax of form, material, and referent. In compelling the viewer to navigate around and amongst these constructs, Kang suggests an awareness of how one occupies space and navigates the interstices of self and other.
#sukiseokyeongkang
had the lovely piece below in Art on Paper 2023: The 47th Exhibition. Combining the unusual and routine, the extraordinary and mundane, she brings together life’s many aspects of inherent spontaneity and attempted order. She merges handmade methods of sewing with the mechanical technology of the risograph-a now outdated printing machine once used widely by schools and churches to create materials such as worksheets and pamphlets.
#jacquelynstrycker
Hyperallergic said Lackey’s “cut paintings” which were in Openworks at Pie Projects (Santa Fe) “bring to the forefront the often invisible or rarely acknowledged experiences of connection.”
#janelackey
Judith Mullen is a Chicago-based and educated artist making sculpture, paintings and installations.
#judithmullen
Mrs. (located in Maspeth, Queens) is currently presenting Feral Currents, Serbian painter Nevena’s first solo exhibition with the gallery. Across nine canvases, Prijic describes bold, swirling anti-forms which burst with the energy of the cosmos, reaching toward us, declaring a new way of life.
More
#nevenaprijic
has technically appeared on this blog because she wrote about Kim. She is one of several artists MONO PRACTICE has included in Resonant Space.
#karenschifano
The Painting Center is pleased to present Sue Havens: Motherboard. This exhibition features large collage relief paintings, works on paper, paper constructions, and ceramic sculpture. Works for Motherboard began by rolling up finished task lists during virtual faculty meetings in the spring of 2020. Other ephemera related to being an artist, mother, and professor was incorporated into the process. The heightened anxiety of the pandemic and the relentless pace of applying for tenure were absorbed into tightly rolled regurgitated balls and began to find their way into paintings. Other material sources include junk mail, supermarket circulars, origami experiments, holiday wrapping paper, fast food bags, report cards, recreation center puzzles, tests, and PTA fliers, finding footing on supports made from Amazon boxes. Paintings on paper also evolved including collaborations with her son.
#suehavens
Painting After Art is Dead 