Sherin’s new works are an expansion of A’aru // Field of Reeds which the Egyptian-American artist exhibited during her 2023 residency at Shangri La Museum of Islamic Art, Culture & Design in Honolulu, Hawaii. Continuing her dialogue with contemporary and historical antecedents, Guirguis posits cultural identity and intersectional feminisms through an integration of oral histories, abstracted motifs and a consideration of minimalism and ornamentation in Egyptian aesthetics.
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#sheringuirguis
Hyperallergic says Dyani’s newest at Various Small Fires is one of 10 Art shows to see in Los Angeles in December (2023). Her mixed media works incorporate beadwork and painting, referencing both Native American traditional art forms alongside European and American modernisms. In doing so, she highlights the influence that Indigenous aesthetics have had on Western art, specifically geometric abstraction.
#dyaniwhitehawk
Saw below at the Nasher recently. Born in Jacksonville, NC, Reginald merges unconventional art materials with simplified forms to create symbols of protest and resilience. Offering IV comes from a series of eight paintings on stretched industrial rubber. The artist’s use of rubber stems from his investigations into the exploitative history of its commercial manufacturing in central Africa.
#reginaldsylvester
Burnaway gives the Atlanta-based Mitchell the mic to explore her textile-based work and the role of memory and fragility in her practice.
#kellytaylormitchell
Burnaway recently published Jodie Bass’s profile from their visit to the studio of Letitia Quesenberry, a Louisville-based artist who extends the boundaries of visual perception.
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#letitiaquesenberry
BmoreArt shines the light on “Light Perspectives” (a recent two person exhibition with Neville Barbour and Joe at Creative Alliance).
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#joegerlak
FRONT ROOM GALLERY recently presented Part and Parcel —
a solo show of new work by New York artist, Joanne Ungar. Joanne Ungar’s cast wax compositions are created with discarded waste from mass produced products, specifically the cardboard boxes—the refuse that is instantly disposed of once the box is opened.
#joanneungar
was recently in Abstraction + Love with Selena (and featuring Helen and Robert, who were an item for a time) at the Lubeznik Center for the Arts.
And if you like inflatable art and like me live in the Triangle, go see BLOW UP II at the Gregg.
#claireashley
For more than 30 years Muth has been an internationally exhibiting artist and a pioneer in the exploration of light through holography. His interest in light began at the age of 16 when he began making large water-filled glass prisms, which he used to refract prismatic light upon his family’s garage door.
#augustmuth
Elijah Wheat is enthralled to present a solo exhibition of multi-media works by Becca Lowry, their first at the gallery entitled “The Mountains Will Still Be Here.” More
#beccalowry
Diane Rosenstein is pleased to present Fifteen Columns , a solo exhibition by Joe Ray. Drawing on the ideals of Minimalism and the California Light and Space movements, Joe says about below “Initially, my first thought of it was that you might walk into the space and wonder where the art is, you may not see it. You could miss it. But that’s part of the experiment.”
#joeray
was included in Tina Kim’s Frieze London booth. Suki assembles her sculptures according to an idiosyncratic syntax of form, material, and referent. In compelling the viewer to navigate around and amongst these constructs, Kang suggests an awareness of how one occupies space and navigates the interstices of self and other.
#sukiseokyeongkang
Painting After Art is Dead 