Ernesto Neto

Created in collaboration with FWM, Ernesto Neto’s The Gate and The Garden were ambitious explorations of material, form, and scale. The monolithic sculptures combine to form an immediate and sensual experience. As with the artist’s previous large-scale installations, which he has described as a “kind of body/space/landscape,” the effect of the work is felt through direct experience, not symbolic representation.

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Phyllida Barlow

Phyllida, who shows with Hauser & Wirth, has continuously challenged the conventions of sculpture. Infusing humble materials such as cardboard, fabric, plywood, and cement with a boundless energy, she persuades the viewer to experience form on its own terms rather than to reflexively project meaning onto it. ‘glimpse,’ the artist’s first solo exhibition in Los Angeles in her celebrated five-decade career, will be an ambitious presentation of new large-scale works

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Seulgi Lee

Artforum says Lee’s newest (Slow Water at Incheon) conjures incredible sumptuousness (visual and symbolic) via astonishing restraint—producing a free-ranging post-Minimalism born of collaborations with traditional Korean artisans and spiked with mischievous enigmas.

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Anne Tallentire

Declan Long at Artforum points out how Anne’s most recent artworks at The MAC involve careful measuring, precise mapping, methodical assembly as she reflects on the physical, social, and sensory conditions of built environments, scrutinizing small details of domestic interiors or gesturing toward larger histories of public space.

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Saerom Yoon

Saerom is an artist based in Seoul, South Korea. His work is inspired by the effortless beauty of nature, particularly the colors of both sunset and sunrise. He wants his sculptural furniture to have a similar appearance and feel as a water color painting. Furthermore, he hopes to express natural textures in his work; such as the interplay of clouds, calm water, rippling waves, frozen ice and the bark of trees.

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Stephen Neidich

Artforum says Stephen’s kinetic sculptures are made of industrial metal objects and tools found in the studio and the outside world. They leverage our familiarity of everyday objects against experience and performance of making art. These gestural spinning and rotating sculptures make plain how, and from what materials they are made, the acrobatics of their production.

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