Like Julie is featured in Order and Uncertainty.
#powerboothe
Boooooom has an Artist Interview with Pablo about his involvement with the PARKWAY project.
#pablozamudio

Hyperallergic suggests Eamon’s abstraction is from a different origin. The show in question is Eamon Ore-Giron: Competing with Lightning / Rivalizando con el relámpago at MCA Denver. Gotta love any creative who has a series titled “Talking Shit.”
#eamonoregiron

Hyperallergic covers Convergence at Modern West, noting that the exhibition is a compelling, if at times dissonant, examination of the formal and material possibilities at the heart of abstraction.
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#sheldonharvey

Mark Borghi explores Arlene’s vibrant diagonal gridwork encompassing 50 years of work at its Sag Harbor location. Slavin is a painter, sculptor and printmaker, who also created large-scale public art commissions. She is best known for her use of brilliant colors and unique handling of transparency in paint.
#arleneslavin
Hyperallergic says Kaufman’s sculptures can go from orderly to helter-skelter, making them seem like willful renegades from an industrial assembly line.
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#betsykaufman

George like Mimi is no longer with us. His work features heavily in Twin Cities museums, but new USPS stamps depicting his distinctive landscapes may help broaden his legacy.
#georgemorrison

Sarah Morris is an American artist. She was born in the United Kingdom, and lives in New York City.
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#sarahmorris

The National Gallery of Art has a recording on SoundCloud of About Abstraction: A Conversation with Melvin Edwards, Sam Gilliam, and William T. Williams that is well worth the listen.
#williamtwilliams
