Isensee is an NC-born painter. Riad at Whitehot notes his newest at Miles McEniry.
I first blogged about their work early on (2018!), and att I made a note about how Neo-Geo almost ruined abstract painting (Warren has been making work since the 80’s- here is something from 2001) and that to my eye their practice is committed to formalism (writing that his work is too insistent on being seen to be a sign for some conceptual “agenda”).
#warrenisensee
Getting ready to teach the history of Abstract painting recently made me realize I’d never blogged about Piet, the founder of De Stijl and easily one of the most recognizable early Modernists.
More on How Piet Mondrian’s Abstractions Became a New Way to See the World.
#pietmondrian
Jacob Cartwright says that, true to its title, the group show “Precisely.” at Flinn Gallery (which also includes Nate and Sarah) is chockablock with the type of “precision-crafted paintings” Anoka and David produce.
BTW if you like graphic painting take advantage of my meta content. If you like duos, see also Luftwerk, Sestra Kuya and CHIAOZZA.
#anokafaruqee
#daviddriscoll
Jodi Hays at Visual Questions has a chit chat with Hamlet who was a big, early influence on her.
#hamlettdobbins
is in Terra Incognita at Field of Play with Amy. She is inspired by the landscape of NYC. Check out her trippy website.
#joanreutershan
is a TN-based multi-disciplinary artist (below are prints of digital work) who also has an MA in Art History. He is a past Pollock Krasner Foundation grant recipient.
#creightonmichael
McKenzie Fine Arts recent “Curvilinear Abstraction” article includes along with Lori and others. Known for abstract hybrids of drawing and painting, Sky’s novel techniques emphasize a deep engagement with materials and mark-making.
More
#skypape
newest is The Grid: Sacred and Secular at Solo. In Rosalind Krauss’s essay “Grids” (link is pdf) she argues that using a grid makes it possible for artists to produce very material objects and speak to the pure materiality of the work while at the same time implying a connection to ideas of spirit and “Being.” In Krauss’s argument, the grid makes a work “sacred and secular” at the same time.”
More (on grids)
#yongsin
Painting After Art is Dead 