Painting After Art is Dead – Page 84 – (A blog about) abstract work I made or like

Fabrizio Bianchi

is an #ncartist who was recently in Abstracto Latino along with Georges and Peter.

#fabriziobianchi

Sarah Greenwood

Abcrit features an exhibition of patchworks by Sarah Greenwood, made from 1990 to 2022.
#sarahgreenwood

Marsden Hartley

(Obviously posthumously) Heather James is showing some of Marsden’s work which I’ve apparently never noted myself and although his work wasn’t always abstract that’s been a bit of a theme lately (see Victor and Abie and JMW and Mira). The Bach Prelude below is top shelf early Modernism.

More (mostly his landscapes)

#marsdenhartley

Carrie Patterson

is in The Shaping of America at The Painting Center.

#carriepatterson

Renée Stout

gets noted in a wonderful article by Hyperallergic about two recent shows at the Philips Collection (which includes Alma and Sam and Sanford). Her work is mostly figurative and she also uses non-representational strategies like below.

#reneestout

Victor Ekpuk

Victor is an internationally-renowned Nigerian-American artist based in Washington, D.C. His paintings, drawings, and sculptures reimagine the ancient Nigerian communication system, Nsibidi, to explore a diverse spectrum of meaning addressing historical narratives, the contemporary African diaspora, and humanity’s connection to the sacred. Much of his work is figurative- his public art is this blogger’s favorite.

#victorekpuk

Georges Le Chevallier

First saw Georges’ work in Front Burner with Ashlynn and Brett and Lien. He recently also curated Abstracto/Latino: Latin American with an Abstract Fusion.

Also- the way he often lets his stretcher bars show or uses them as compositional elements reminds me of Dona.

#georgeslechevallier

Kristin Reger

Adrian de Banville of White Hot sits down with Kristin to talk about Burst at Salon Silicon.

#kristinreger

Alexi Worth

Hyperallergic says Alexi’s paintings demand a double take that allows viewers to look closer and begin disassembling the painting in order to understand what is being looked at.

Below makes me think of Tony‘s work, too.

#alexiworth

Robert Janitz

Two Coats notes that after years of making paintings that seemed primarily about the physical experience of making the object, Robert now appears compelled to turn his attention gingerly outward and explore a somewhat more playful approach.

#robertjanitz

Jiha Moon

Hyperallergic thinks Jiha’s newest is an artistic breakthrough.

#jihamoon

Choong Sup Lim

Lara Pan at White Hot interviews Chong about his oeuvre which combines traditional and contemporary elements in highly original assemblages, and thereby produces new abstractions that emerge from this particular process of creation.

#choongsuplim

Susan Mastrangelo

Artforum has words about Susan’s newest which veers more towards abstraction than figuration.

#susanmastrangelo

Seulgi Lee

Artforum says Lee’s newest (Slow Water at Incheon) conjures incredible sumptuousness (visual and symbolic) via astonishing restraint—producing a free-ranging post-Minimalism born of collaborations with traditional Korean artisans and spiked with mischievous enigmas.

#seulgilee

Anne Tallentire

Declan Long at Artforum points out how Anne’s most recent artworks at The MAC involve careful measuring, precise mapping, methodical assembly as she reflects on the physical, social, and sensory conditions of built environments, scrutinizing small details of domestic interiors or gesturing toward larger histories of public space.

#annetallentire