Manuel Mathieu

Manuel (who I first discovered at the Armory Show) is a contemporary Haitian visual artist best known as a painter of abstract works that often evoke figurative shapes in nondescript environments. Mathieu draws from Haitian visual cultures and from Western art movements such as expressionism and existentialism.

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Flora Yukhnovich

Artforum- rightfully- notes Flora’s newest from her time in Venice in a space set up by #victorimiro “for invited artists to spend extended time in the historic city and make new bodies of work”. These are definitely abstractions although not clear she would call them nonrepresentational. Reminds me of Erin’s brushwork.

#florayukhnovich

Myra Greene

Artforum has words about Myra’s current series of textually deep work that underscores, I think, the potential of non-representational work to carry potent symbolism:

Piecework refers to labor paid according to the number of items produced rather than the amount of time spent on the job. Often associated with the ruthless economic exploitation of the nineteenth and early-twentieth centuries, this system …is sadly making a comeback—thanks to its versatility in allowing employers to get around minimum-wage and other labor laws…”

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#myragreene

Ann Cathrin November Høibo

Was reading the print edition of Artforum when the image below grabbed me. Which lead to reading this interesting interview about the themes that- like the disparate materials she uses- are woven, literally, into her work.

#anncathrinnovemberhøibo

Kevin Finklea

Kevin, like me, has made objects and paintings and despite appearances has no interest in geometry as a topic or content.

The link above is from #Geoform, an online scholarly resource, international forum, and curatorial project of #juliekarabenick that focuses on the use of geometric form and structure in contemporary abstract art.

#kevinfinklea