Antonietta Grassi

Overlaying candy-colored, geometric prisms with glimmering networks of lines that weave through and around them, painter Antonietta Grassi could easily be taken for the love child of Josef and Anni Albers. Yet while underscoring the contiguity of modernist composition and traditional craft, her exquisite abstractions also demonstrate the visual similarities between loom work and computer code.

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Louise Fishman

Artforum notes “Ballin’ the Jack,” and also that Louise began “her practice at the height of Abstract Expressionism; Fishman asserted herself as a queer feminist Jewish woman within the artistic milieu of the time. Her atmospheric spaces and muscular articulations recount the urgency of her self-expression, and speak to the dynamic forward motion of ballin’ the jack, or going full-speed.”

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