like me studied at UNCC.
#andreavail

Liza Roberts recently wrote (in Walter) about this Clemmons-based painter returned to his craft after a 30-year career in advertising.
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#frankcampion

is an artist working in Boston and a Fine Arts Assistant Professor at Brandeis University. A through-line in her practice is the artist’s investigation into the ways that language is learned, shared, and adapted through processes of fragmentation and multiplicity. She was recently in Between Pixel and Pigment with Jacqueline and others.
#soniaalmeida

Meksin is a New York-based interdisciplinary artist working in painting, installation, public art and multiples. Born in the former Soviet Union, she immigrated to the United States with her family in 1989. Her work investigates parallels between the gendered conventions of painting, architecture and our bodies.
#leezameksin

is in Keep Feeling Fascination at High Noon Gallery with Tom and Ryan and Will and others.
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#jilllevine

Gallery C recently brought our attention (posthumously) to North Carolina Artist Anne Wall Thomas, a Southern artist with a Bauhaus Heart.
#annewallthomas

Michael Brennan at Two Coats notes Tappeto Volante Gallery’s retrospective of Bascha’s painting, selected and arranged by the artist herself.
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#baschamons

Below is “Ocean Panel (12/7/23-8/17/24 Marshallberg, NC)” in a really terrible photo which I took at Queen Street Magic Boat (where it was part of Death Planted a Garden). It is part of an ongoing project where Elsa bolts sheets of new steel onto a seawall at the North Carolina coast. The panels are submerged then revealed by tidal waters; the water, salt and air transforms the industrial surface; the metal becomes a clock, a landscape and map or graph of time passing in all its beauty and inevitable decay. According to their statement for the show catalog l, Elsa sees their role in this project as a curator or choreographer; setting a stage and parameters to capture the visual translation of a period of time; this project is a practice in embracing precious moments and also ritualistically letting them go.
#elsahoffman

Talia Shiroma at Two Coats of Paint thinks beauty has become an incidental quality in visual art over the last century, taking a back seat to, among other things, art’s expanded range of aesthetic values, its social and political dimensions, and capacity for novelty, and that Teak makes a case for beauty.
#teakramos
