Tunji Adeniyi-Jones

Juxtapoz takes us overseas to look at Tunjia’s newest at White Cube’s Seoul outpost, in which the NYC-based Brit “explores the diasporic body, African subjecthood and autonomy.” The figuration in the work peeks through, similar to earlier work by fellow Brit Cecily.

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Hunter Reynolds

along with Dean Semashima is part of a two-person, intergenerational display which, according to Quingyan Deng at Hyperallergic, represents two drastically opposed approaches to queer history. While Hunter’s pieces in this show do sometimes dissolve into something abstract, it was not the only work they made (Hunter left us in 2022).

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Ada Friedman

Elizabeth Buhe at The Brooklyn Rail has words about Ada’s Performance Proposal, Helen Rides VII: Wing and Wheel 3 (2020–24), at David Peter Francis, saying the works “propose that these thresholds are flexible, emphasizing valuable insights drawn from pre-industrial worldviews, vernacular belief systems, private magic, and seasonal rites.” One may since a shared spirit with Hilma.
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A’Driane Nieves

A visual artist and writer, A’Driane Nieves is a U.S. Air Force veteran and a self-taught painter. At the urging of her therapist, she began painting as a form of art therapy in 2011 during her recovery from postpartum depression and following her later diagnosis of bipolar disorder. This initial experimentation led to her using Abstract Expressionist painting styles as a way to overcome the impacts of childhood abuse, specifically emotional suppression. Influenced by Joan Mitchell, Cy Twombly, Bernice Bing, and early Black abstract painters ranging from Alma Thomas to Mary Lovelace O’Neal.

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