process often involves building, covering and excavating; consecutive layers of addition and subtraction combine to create a whole where there is an ambiguity of space.
More (“found” Beth because of Raccoon Energy)
#bethfishman
Tag: womenartists
Judy Pfaff
was surprised to see when blogging about Helen that I hadn’t yet touched on Judy’s work (she is also in Destination Earth). There’s often recognizable… stuff in Judy’s work (here is Hyperallergic on Real and Imaginary from last Fall). Sort of like Liz and Jessica. Readers who like this sort of maximalism will also like Sarah’s work.
#judypfaff
Elisabeth Kley
Peninsula is showing Sacred Geometry (big surprise there would be something in it I’d like… link is pdf btw) which includes some intriguing objects by Elisabeth.
#elisabethkley
Chantal Khoury
(According to Nicodim gallery) In her solo exhibition, Stay Longer, Chantal Khoury’s paintings ruminate on images of kitchen tables, dining rooms, and coffee tables, all loosely set around the act of hosting others.
Seems like abstractions (as distinct from abstraction) are having a good moment (Philip, Matthew and Jacqueline have all gotten deserved attention of late).
#chantalkhoury
Jeanette Fintz
Jeanette Fintz’s paintings emerge from the collision and dissection of overlapping grid systems, using a choreographic process to intuitively edit and transform geometric fragments into expressive, unstable constructs. Informed by plein air landscape painting and Islamic geometric pattern, the work evokes nature, memory, and time through the tactile interplay of gesture and structure. She is showing at 68 Prince Street Gallery.
#jeanettefintz
Helen O’Leary
is in Destination Earth at Ligenza Moore Gallery (along with Don and Chris and others)
More
#helenoleary
Michelle Silver
Michelle (and Distortion Society) gets a nod from Hyperallergic’s run down of things to see this summer. (Meg also gets a mention).
#michellesilver
Beate Wheeler
Hyperallergic calls our attention to Moss Gallery’s retrospective (and posthumous) presentation of Beate’s work, Abstract Rhythms; 1960s on 10th Street.
#beatewheeler
Rosy Keyser
Katy at Two Coats of Paint (who is also a painter) compares Rosy’s process to Jack Whitten.
#rosykeyser
Jacqueline Gourevitch
Michele Abramowitz
Suzanne at Two Coats has words about Michele’s newest at Kate Werble, noting the works look more like a dream than a product of twentieth-century formalism.
#micheleabramowitz
Mannat Gandotra
Claire at Whitehot sits downs to talk about Outside the Possibility of Worldly, Mannat’s first solo exhibition in New York.
#mannatgandotra
Haley Young
Carlotta at Whitehot magazine invites us to consider how Haley’s works feel like windows into other worlds, “at once transcendent and deeply grounded—a vibrant meditation on landscape, abstraction and the emotional weight of form.”
#haleyyoung
Elise Ferguson
Jess Ackerman
Juxtapoz notes Jess’s recent Notes From a Lurker at Chefas Projects, which are abstractions more than abstraction (they are “an ode to meditative observation of both the self and of one’s surroundings”).
#jessackerman
Painting After Art is Dead 