Carlos Nunez reviews the invisible data and material preservation found in Rose Salane’s Fission or, Eclipse at The Athenaeum at the University of Georgia for Burnaway.
#rosesalane

Carlos Nunez reviews the invisible data and material preservation found in Rose Salane’s Fission or, Eclipse at The Athenaeum at the University of Georgia for Burnaway.
#rosesalane

Jean Follett (June 5, 1917 – July 6, 1990) was an American painter and one of the innovators of assemblage art in the United States. She was a member of the New York abstract art movement of the 1940s and 1950s.
#jeanfollett

Shawn, who shows with Cole Pratt along with Joey, has lived and worked in New Orleans since January 1997. She holds an MFA from the Maryland Institute College of Art, Mount Royal School, where she was a Patricia Harris Fellow, a BFA from the School of the Art Institute of Chicago, and an AS in Science from Delta College in MI.
#shawnhall

Jill at Hyperallergic (in addition to Joan) calls our attention to an exhibition at The Met celebrates the work of this self-taught artist, indigenous artist who neither exhibited nor profited from her work during her lifetime.
#marysully

Julie at Hyperallergic reviews Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students (2023), by Michael Beggs and Julie J. Thomson. Many of these weavers were also covered in the Women of Bauhaus exhibit I saw and blogged about several years ago. Fiber arts are having a good year in 2024 as Julie points out. Other than a nice pic of a piece by Joan she is not the topic, you can look here and (literally) here at the Asheville Art Museum, one of NC’s many fine institutions.
#joanpotterloveless

is an artist working in Boston and a Fine Arts Assistant Professor at Brandeis University. A through-line in her practice is the artist’s investigation into the ways that language is learned, shared, and adapted through processes of fragmentation and multiplicity. She was recently in Between Pixel and Pigment with Jacqueline and others.
#soniaalmeida

Meksin is a New York-based interdisciplinary artist working in painting, installation, public art and multiples. Born in the former Soviet Union, she immigrated to the United States with her family in 1989. Her work investigates parallels between the gendered conventions of painting, architecture and our bodies.
#leezameksin

is in Keep Feeling Fascination at High Noon Gallery with Tom and Ryan and Will and others.
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#jilllevine

Michael Brennan at Two Coats notes Tappeto Volante Gallery’s retrospective of Bascha’s painting, selected and arranged by the artist herself.
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#baschamons
