Igshaan Adams

like Magdalena has work featured in To Weave the Sky. A queer artist who was born of a Muslim father and raised by his Christian grandmother, Adam’s elaborate textiles address the diverse cultural and spiritual contexts that continue to form his identity. The artist has embraced Islamic spirituality and particularly Sufism, and his works might be read as enlarged prayer rugs.

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Forrest Bess

is one of several LGBTQ+ artists discussed in Evan Moffit’s recent Artsy article How LGBTQ+ Artists Use Abstraction to Move Past Labels. In it he asks what “is “queer abstraction”? The term is slippery. Abstraction, like queerness, derives its force from a lack of fixity. Unlike the standard markers we use to categorize identity, it refuses to coherently represent anyone or anything. LGBTQ+ artists, or artists whose sexualities are non-normative, have been making abstract art as long as abstract art has existed. Calling their work “queer” is much more difficult when that work doesn’t involve representation at all.” Amy and Carrie also get mentions.

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Jeffrey Gibson

Sited below at Expo Chicago- it’s actually a functional drum. Apparently as always I’m the last to be on the know (he has almost 30k followers). His work has headed in new directions (although the galleria at informed me he still uses some of the drums in performances).

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Leasho Johnson

is one of October artists-in-residence at Fountainhead. Born in Montego Bay, Jamaica, and raised in Sheffield, a small town on the outskirts of Negril. Leasho uses his experience growing up Black, queer, and male to explore concepts around forming an identity within the post-colonial condition of Jamaican Dancehall street culture.

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Freddie Bell

Freddie is headed into the Regional Emerging Artist Residency for Artspace for 2022. They feel (as a queer/trans person) that “language is important for expressing our experiences, but labels become limiting when we become too attached to them” and they explore this through loose shape and varied repetition.
#freddiebell