is one of several creatives included in An Instrument in the Shape of a Woman (Hyperallergic’s take here).
#selinatrepp

is one of several creatives included in An Instrument in the Shape of a Woman (Hyperallergic’s take here).
#selinatrepp

Hyperallergic says Kaufman’s sculptures can go from orderly to helter-skelter, making them seem like willful renegades from an industrial assembly line.
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#betsykaufman

Katharina is a Berlin-based artist and professor. She likes the anarchic potential of color.
#katharinagrosse

Shape Shifting is Zipporah ‘s recent at Artspace. Of the show: The ability of certain beings to shift physical form is found across many cultural histories. It is associated with a deep connection to natural and spiritual forces and is a process shrouded in mystery.
#zipporahthompson

Phyllida, who shows with Hauser & Wirth, has continuously challenged the conventions of sculpture. Infusing humble materials such as cardboard, fabric, plywood, and cement with a boundless energy, she persuades the viewer to experience form on its own terms rather than to reflexively project meaning onto it. ‘glimpse,’ the artist’s first solo exhibition in Los Angeles in her celebrated five-decade career, will be an ambitious presentation of new large-scale works
#phyllidabarlow

is known for making small, bracingly private constructions out of foamcore and collage elements. As much as his inventions, through maquette-like scale and goofily specific found photos (of towels, toilet-paper holders), investigate the sculptural possibilities and erotic atmospherics of decor, the glue that holds Fecteau’s artless-seeming oeuvre together is a quirky querying of what art is and what it does—of how and why and if art differs from craft. (Bruce Hainley at Artforum is referring above to his work at greengrassi; the artist makes his own statements as well in the article).
#vincentfecteau

Nour Jaouda is a Libyan artist, based in London and Cairo and is also a Hopper Prize finalist like Cameron.
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#nourjaouda

gets noted in a wonderful article by Hyperallergic about two recent shows at the Philips Collection (which includes Alma and Sam and Sanford). Her work is mostly figurative and she also uses non-representational strategies like below.
#reneestout
