recently showed Summer Song at Larkin Logerfo. The paintings on display primarily focus on a period of 12 years in which Kikuo returns again and again to the implied shape of an ellipse as a site to explore notational mark-making and dynamic color relationship.
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#kikuosaito
was (posthumously) included in Weinstein Gallery booth at Basel Miami which Artsy says was noteworthy (the presentation traces Lamba’s journey through the dreamlike depictions of Paris during the Surrealist movement in the 1940s and ’50s to vibrant abstract landscapes that defined her later career, such asParis Panorama- below- which align her legacy with Abstract Expressionist figures like Helen Frankenthaler and Joan Mitchell).
#jacquelinelamba
newest- Petal Storm Memory (curated by David A. Ross) at Kino Saito gets a nod in Two Coats December NY gallery guide.
#chiefueki
gets a nod from Hyperallergic s most recent 10 art shows to see in LA (December 2024 edition). The P’Urhépecha artist’s woven works navigate between craft and fine art, tradition and fashion. Working predominantly with toquillo, or plastic lanyard material, Janacua weaves patterns that recall Minimalism and geometric abstraction, as well as Indigenous designs and art forms.
#andrésjanacua
is an artist working in Boston and a Fine Arts Assistant Professor at Brandeis University. A through-line in her practice is the artist’s investigation into the ways that language is learned, shared, and adapted through processes of fragmentation and multiplicity. She was recently in Between Pixel and Pigment with Jacqueline and others.
#soniaalmeida
Meksin is a New York-based interdisciplinary artist working in painting, installation, public art and multiples. Born in the former Soviet Union, she immigrated to the United States with her family in 1989. Her work investigates parallels between the gendered conventions of painting, architecture and our bodies.
#leezameksin
The Artsy Vanguard 2025 artists are breaking new ground with original work and gaining momentum through acclaimed solo shows, prestigious institutional exhibitions, representation with tastemaking galleries, and bold art fair presentations, among other art world accolades. Like past Vanguard artists, they’re ones to watch. Laís is included as is Emily.
#laisamaral
like Leika Felizia’s work gets a nod from Artsy for (posthumous) inclusion at Frieze London. The first blog I ever wrote (about Julie) in October of 2018… was in the context of Frieze.
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#felizabursztyn
For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey. Throughout her decades-long career, Sterling-Duprey has paid close attention to how movement appears in painting and how dance lends itself to its own kind of painterly gesture. She has distilled elements of both disciplines to their constituent parts, which can be broken down into kinds of information: visual, spatial, tactile, sonic, and so on.
#awildasterlingduprey
Painting After Art is Dead 