David Carrier at Two Coats of Paint published an interesting read recently about Emilio role as Venice’s Abstract Expressionist in the context of “Rivoluzione Vedova,” at Museum of the 20th Century near Venezia.
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#emiliovedova
who is a also a painter, has installation work on display with Sinéad Ludwig-Burgess at Okotoks Art Gallery through March 31. Of the work, Payne says she was influenced by “those subtle-but-vivid spectrums of colour in the cloudless sky at dawn or dusk, or the way that hot pink light in November hits the buildings in the city. What I guess I wanted to do is synthesize, artificially, this sort of feeling of witnessing an ephemeral light phenomenon in nature – I want to bottle it, put it in something.”
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#laurapayne
Imbued with an indelible vibrancy and depth, Harminder Judge makes transportive sculptural works that simultaneously reference Indian neo-tantric painting, as well as the abstract expressionist and color field movements of the 20th century.
#harminderjudge
Hyperallergic said Guillaume’s Ozone Station is one of several shows to see in NYC this November. Anchored by a sequence of gateway-like paintings, Ozoned Station features visions of systems and environments that collapse distinctions between the organic and the built, the microscopic and the galactic
#guillaumedenervaud
For 2023’s ADAA The Art Show, Tina Kim Gallery presented a historical presentation highlighting two seminal Asian and Asian-American artists: sculptor Minoru Niizuma (b. 1930, Tokyo; d. 1998, New York) and painter Kim Tschang-Yeul (b. 1929, Pyongannamdo; d. 2021, Paris). When Kim moved to New York in 1965, Pop Art prevailed as the artistic lifeblood of the city. It was in New York that Kim began his earliest experiments into painting the bulbous abstract forms that would later lead to his signature style—the waterdrop.
#kimtschangyeul
shows with Carrie Haddad. About his work he says the form comes first and he avoids “intentional thoughts. What happens then seems to emerge from some deep subconscious reservoir: maybe from childhood, maybe from an unconscious feeling in the moment, maybe from something beyond this lifetime.”
#daiban
TUSSLE recently noted Gahae Infinite Melodies at Artego.
#gahaepark
Ha Chong-Hyun came to prominence with his Conjunction series in the early 1970s. These early experiments have led him to build his signature style, pushing the paint from the back to the front of hemp cloth. As a leading member of the movement known as Dansaekhwa, or “monochrome painting”, he has consistently used material experimentation and innovative studio processes to redefine the role of painting, playing a significant role bridging the avant-garde traditions between East and West.
#hachonghyun
Gallery Vacancy recently held Shi Jiayun’s second solo exhibition with the gallery, Wanderlust, and their work was included at Frieze as well.
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#shijiayun
Alex at Hyperallergic says Baker’s art exudes the deep and spiritual connection to nature that she has gained from her Mandan/Hidatsa family.
#teresabaker
Jane combines traditional and contemporary materials, exploring the relationship between abstract minimalist composition and the sentimental qualities of ceramic, textiles and found objects. Here is her video The Colour of Words, a recitation of some poetic musings by Jane about colors she encounters over a montage of related images- not abstract, and also about color in the abstract.
#janebustin
newest, “Desire,” is on Display in Paris and Juxtapoz has words. Deiana’s works are inspired by and profoundly related to language, words, letters and the way they shape our perception and patterns of thinking. Their history, often charged with symbolism and hidden meanings, is deconstructed, appropriated and subtly woven in.
#francescoigorydeiana
Painting After Art is Dead 