graphicpainting – Page 2 – Painting After Art is Dead

Yong Sin

newest is The Grid: Sacred and Secular at Solo. In Rosalind Krauss’s essay “Grids” (link is pdf) she argues that using a grid makes it possible for artists to produce very material objects and speak to the pure materiality of the work while at the same time implying a connection to ideas of spirit and “Being.” In Krauss’s argument, the grid makes a work “sacred and secular” at the same time.”
More (on grids)

#yongsin

Gerry Wuben

Artfields has work of all sizes, here’s one of the bigger ones.

More (it’s not always abstract btw)

#gerrywuben

Anna Byars

Saw below at Artfields recently. Anna’s work is created through spontaneous, meditative line work to create bright, colorful, and reflective imagery that is intended as a visualization of transcendence.

#annabyars

Eduardo Terraza

A bit late getting to this but Artsy says Proyectos Monclova’s booth at Art Basel Hong Kong 2025 was must see and noted Eduardo.
More

#eduardoterraza

Mara Held

currently has work up at Seven Sisters (Fingers Dipped in Honey).

#maraheld

J Bradley Greer

Has taken things a different direction recently.

#jbradleygreer

Jeremy Le Grand

recently organized yelling at the sun at Well Well Projects in Portland.

#jeremylegrand

David Lloyd

curious collaborations with AI in In the Beginning at Spy Projects are (according to Hyperallergic) one of 10 Art shows to see in LA this October.

#davidlloyd

Brooklin A. Soumahoro

Alex wrote for Hyperallergic about Brooklin A. Soumahoro’s luminous paintings, which he says are filled with moments of alchemy, transforming shape into line and discipline into grace.
more

#brooklinsoumahoro

Katie Aronat

First saw Katie’s work at Artfields.

#katiearonat

Crissy Arseneau

Working primarily in hand-painted and hand-cut paper to create hard-edge abstract art, Crissy‘s pieced watercolour paintings and low-relief paper sculptures explore attention and contemplation, time and place, and our relationship to the natural environment.

#crissyarseneau

Tim Bavington

Tim was born in England in 1966. He moved to the United States in 1984 to pursue his career in art. He is best known for his adaptations of musical scales to abstract painting. In the last decade, his work expanded into public sculpture.

#timbavington

Gloria Klein

Gloria came of age in 1970s New York and played a vital role in many artist-based initiatives in SoHo and on the Lower East Side. Her paintings can be read as Minimalist, Conceptual, and systems-based, but they are also indebted to the burgeoning support for “women’s work,” the Pattern & Decoration movement, and the Criss-Cross artists. Hyperallergic said Unwinding Unbinding at Anat Ebgi was one of the 10 shows to see in Los Angeles this June.

#gloriaklein

Lainard Bush

was my neighbor for a second when I was on sabbatical– he recently showed at Rice Polak.

#lainardbush

Ian Welch

Continuing with my favs from Artfields…

About this installation, Ian says “Crosscut (Log-pile), is a reflection on one of the most quietly obvious signs of human incursion in the natural world: a crosscut tree stump. By utilizing brightly colored handmade paper and neon gel pens to produce the drawings, I am drawing attention to the artificial and unnatural state of the remnant of an individual tree. All images are sourced from either on-site observations and photographs, or from cross-sections of trees recovered after a large culling of forested areas throughout the Lowcountry of South Carolina; the paper itself is mostly from the same species of trees depicted in the drawings.”

#ianwelch