Artforum says (about Praneet’s newest) “avian motifs punctuate the exhibition, which is rich in references to the artist’s life and research.”
#praneetsoi

Artforum says (about Praneet’s newest) “avian motifs punctuate the exhibition, which is rich in references to the artist’s life and research.”
#praneetsoi

Not a lot I could say about Anish that hasn’t already been said other than it’s surprising I’m just getting to blogging about him (realized he was missing when writing about Point of Departure which features him alongside Mavis and Tony and Donald and others).
#anishkapoor

BlackFlash Magazine’s December 2021 Issue Examines Islamic Art Traditions in Canada. In “Infinities,” guest-edited by curator and art historian Nadia Kurd, artists and writers discuss the influence of Islamic visual cultures in Canadian contemporary art. Shaheer gets a nice mention and an image.
#shaheerzazai

Hyperallergic notes that the work Sheela (and others) have in Fault Lines prove that abstraction need not be confined to the inner life of the artist.
#sheelagowda

Hyperallergic has words about Takuji’s spellbinding prints. I think it’s a good adjective, too.
#takujihamanaka

First encountered Paul when I saw below at #sam in Seattle. His life is an interesting story.
#paulhoriuchi

Juxtapoz covers Paradigm of Charcoal, new work by Lee* at Perrotin in Hong Kong (*who splits time between Paris and Cheongdo).
#leebae

is in LuX at Current and below is titled spce picnic and now I can’t think of anything else
#bingliu

Artforum notes that The National Museum of Modern and Contemporary Art, Korea (MMCA, Director Youn Bummo) presents a large-scale solo exhibition of work by Chung, one of Korea’s representative monochrome-abstract artists. The exhibition Chung Sang Hwa intends to provide a retrospective of as well as a renewed look at the artist’s authentic body of work and contextualize it within the history of Korean abstract art.
#chungsanghwa

I like the virtual slide room Return to Color from Tina Kim Gallery (the exhibition surveys the last decade of the artist’s practice with new polychromatic works that illuminate a return to color as well as a departure from his foundational, monochromatic Conjunction series).
#hachonghymm

