like Chie gets a nod from Two Coats for constructDEconstruct at AIR in their newest NY gallery guide. Born of the interplay between solitary workings in her studio, the push-pull of her personal life, and the ongoing turmoil of the outside world, Dubinsky’s new work combines maps and silhouetted figures with abstract shapes created by flattened boxes using painting, printmaking, alternative photography, and sculpture on paper and metal.
#yvettedrurydubinsky
newest- Petal Storm Memory (curated by David A. Ross) at Kino Saito gets a nod in Two Coats December NY gallery guide.
#chiefueki
gets a nod from Hyperallergic s most recent 10 art shows to see in LA (December 2024 edition). The P’Urhépecha artist’s woven works navigate between craft and fine art, tradition and fashion. Working predominantly with toquillo, or plastic lanyard material, Janacua weaves patterns that recall Minimalism and geometric abstraction, as well as Indigenous designs and art forms.
#andrésjanacua
Carlos Nunez reviews the invisible data and material preservation found in Rose Salane’s Fission or, Eclipse at The Athenaeum at the University of Georgia for Burnaway.
#rosesalane
Jean Follett (June 5, 1917 – July 6, 1990) was an American painter and one of the innovators of assemblage art in the United States. She was a member of the New York abstract art movement of the 1940s and 1950s.
#jeanfollett
Shawn, who shows with Cole Pratt along with Joey, has lived and worked in New Orleans since January 1997. She holds an MFA from the Maryland Institute College of Art, Mount Royal School, where she was a Patricia Harris Fellow, a BFA from the School of the Art Institute of Chicago, and an AS in Science from Delta College in MI.
#shawnhall
Jill at Hyperallergic (in addition to Joan) calls our attention to an exhibition at The Met celebrates the work of this self-taught artist, indigenous artist who neither exhibited nor profited from her work during her lifetime.
#marysully
Julie at Hyperallergic reviews Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students (2023), by Michael Beggs and Julie J. Thomson. Many of these weavers were also covered in the Women of Bauhaus exhibit I saw and blogged about several years ago. Fiber arts are having a good year in 2024 as Julie points out. Other than a nice pic of a piece by Joan she is not the topic, you can look here and (literally) here at the Asheville Art Museum, one of NC’s many fine institutions.
#joanpotterloveless
Painting After Art is Dead 