sterlingsart

Kelly Taylor Mitchell

Burnaway gives the Atlanta-based Mitchell the mic to explore her textile-based work and the role of memory and fragility in her practice.

#kellytaylormitchell

Gail is a San Francisco Bay Area interdisciplinary artist, music medium and student of the paranormal who mines photographic and filmic rifts to explore her own subtle shifts in perception from the mundane to the phenomenological.

#gailcooper

Michael Brennan

Earlier this month, Two Coats of Paint invited painter Kim Uchiyama to sit down with Michael Brennan to discuss “Floating Weeds,” Brennan’s fourth solo show at Minus Space. In their wide-ranging conversation, they discuss Japanese film, Russell Lee’s photographs, Charles Olson’s poetry, Venetian lagoons, architect Carlo Scarpa, Homer, and more.

#michaelbrennan

Letitia Quesenberry

Burnaway recently published Jodie Bass’s profile from their visit to the studio of Letitia Quesenberry, a Louisville-based artist who extends the boundaries of visual perception.

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#letitiaquesenberry

Joe Gerlak

BmoreArt shines the light on “Light Perspectives” (a recent two person exhibition with Neville Barbour and Joe at Creative Alliance).

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#joegerlak

Ron Linden

Katie at Two Coats has words about Ron’s eccentric abstraction.

#ronlinden

Guillaume Dénervaud

Hyperallergic said Guillaume’s Ozone Station is one of several shows to see in NYC this November. Anchored by a sequence of gateway-like paintings, Ozoned Station features visions of systems and environments that collapse distinctions between the organic and the built, the microscopic and the galactic

#guillaumedenervaud

Kim Tschang-Yeul

For 2023’s ADAA The Art Show, Tina Kim Gallery presented a historical presentation highlighting two seminal Asian and Asian-American artists: sculptor Minoru Niizuma (b. 1930, Tokyo; d. 1998, New York) and painter Kim Tschang-Yeul (b. 1929, Pyongannamdo; d. 2021, Paris). When Kim moved to New York in 1965, Pop Art prevailed as the artistic lifeblood of the city. It was in New York that Kim began his earliest experiments into painting the bulbous abstract forms that would later lead to his signature style—the waterdrop.

#kimtschangyeul

Richard Hogan

Richard, who shows with Pie Projects, came to New Mexico as a child when his parents settled in Albuquerque. He was immediately struck by the vast open space of New Mexico, and space would become a major factor in his painting. Art critic William Peterson wrote of Hogan’s work in 2002: ” Hogan’s reductive linear vocabulary implies a return to beginnings, to the inscribing of linear marks as the most archaic of art making activities. Yet, despite his deep interest in Paleolithic and Neolithic art, his inquiry into the basic impulse of drawing is not so much a nostalgia for the “primitive” as it is instead a search for a vocabulary that will read as independent or autonomous, and not as “abstracted.” Following the Modernist tradition of interrogating the formal bases of his art, his achievement has been to make line a medium of painting.”
#richardhogan

Dai Ban

shows with Carrie Haddad. About his work he says the form comes first and he avoids “intentional thoughts. What happens then seems to emerge from some deep subconscious reservoir: maybe from childhood, maybe from an unconscious feeling in the moment, maybe from something beyond this lifetime.”

#daiban

Joanne Ungar

FRONT ROOM GALLERY recently presented Part and Parcel —
a solo show of new work by New York artist, Joanne Ungar. Joanne Ungar’s cast wax compositions are created with discarded waste from mass produced products, specifically the cardboard boxes—the refuse that is instantly disposed of once the box is opened.

#joanneungar

#claireashley

Gahae Park

TUSSLE recently noted Gahae Infinite Melodies at Artego.
#gahaepark

Author: sterlingsart