Soledad Salamé

(who shows with Goya Contemporary Gallery in Baltimore, and whose work is not all abstract) says her art is a conceptual and visual exploration of the intersection of science, technology, and social justice issues defining the age in which we live. Engaged with the political implications of environmental issues, my recent work maps vulnerable marginalized communities suffering the greatest consequences of natural disasters.
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Rebecca Pempek

is a recent MFA recipient from UNC. Her most recent painting and printmaking work utilizes her pelvic MRI scans to interrogate the history and mythologization of female pain. By layering and abstracting 17th-century reproductive anatomical illustrations with fauna imagery and gestural mark-making, she reclaims agency over the narratives of chronic pain.

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Marthe Keller

Marthe is an independent artist whose installations and assemblages explore painting on and off the stretcher. Her work grows out of the material conditions of its making, often incorporating found materials and pigments to make her own paint for maximum control over its viscosity, tranparency and intensity of color.

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Cecily Kahn

As a native New Yorker, Cecily says her ” paintings have always reflected the angularity of the city. I spent years making paintings of buildings, roof tops, and finally maps of the city. I began to play with the map image, layering one on top of the other thus creating new forms. Eventually, these map paintings shed their representational base and became more internal, psychological maps.”

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