womenartists – Page 40 – Painting After Art is Dead

Caroline Roberts

Jeff Hamada interviews Caroline for Booooooom!. Her work is sometimes figurative and often has a digital component.

#carolineroberts

Jane Benson

With System of Nature (Reflections) (2020–21), pixelated, ribbon-like, chromatic prints on canvas backed with paper gently arc away from the wall, suggestive of the infinite elasticity of both time and memory.

#janebenson

Ann Schaumburger

Ann is a New York City painter and colorist who, lately, has been intrigued by how repeating a plaid arrangement of four colors numerous times changes how color is seen.

More (from Two Coats)

#annschaumburger

Annette Hur

Two Coats has words about Annette’s solo show “Watching from the Other Side” at Hesse Flatow in Chelsea, where “elegant shapes shine through dappled light and leaves. Oils blur, drip, or dive across the surface at wild angles. But discolorations and deformations suggest that something is unresolved, something is in process.”
#annettehur

Kimberly English

Got to see below in COSO 2021.

#kimberlyenglish

Lisa Hoke

Jonathan Stevenson says Lisa has a singular knack for finding lasting significance in ephemera.

#lisahoke

Diane Burko

Diane’s images of melting glaciers and dying coral reefs are not just pictorially impressive; they have strong emotional impact.

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#dianeburko

Dona Nelson

Thomas Erben is presenting Gestures of Affection: In Memory of Louise Fishman, curated by Melissa E. Feldman, which includes a number of artists I’ve blogged about and also Dona.

#donanelson

In 1946, eighteen-year-old Mavis Pusey moved to New York from Jamaica to study at the Traphagen School of Fashion and, later, at the Art Students League. By 1969, she had worked in London as a patternmaker for Singer for nearly a decade. She then returned to New York to work at Robert Blackburn’s printmaking workshop—an important collaborative studio where artists were encouraged to experiment and freely exchange ideas.

#mavispusey

Rosemary Mayer

“Ways of Attaching” is the first comprehensive institutional exhibition devoted to the art of Rosemary Mayer (1943–2014), and adds even more knotty complexity to the artist’s story.

#rosemarymayer

Leigh Suggs

is an NC-born artist affiliated with Artsuite (which has quite a nice stable of creatives).

More and more

#leighsuggs

I. Rice Pereira

lived from 1902–1971 and has 8 works in the Whitney’s permanent collection, including below which graces the cover of the catalog for Labyrinth of Forms, a group retrospective on the work of 27 women artists from the first half of the last century.

#iricepereira

Blanche Lazzell

Like many early Modernists Blanche’s work (1878–1956) evolved into abstraction. She is also in Labyrinth of Forms.

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#blanchelazzell

Tag: womenartists