Barbara Owen

is one half of Slip at Overlap (with Olivia Baldwin*). She is particularly drawn to and work within the themes of landscape, femininity, and beauty.

*Two Coats published a conversation between Barbara and Olivia in the context of their exhibit

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UPDATE apologies to Barbara for initially publishing a post with an image incorrectly attributed to her

Sharon Butler

No one who regularly reads this blog will be surprised to see Sharon’s name, but perhaps surprised for me to blog about her. I have of course (before today), originally in 2020, as I was first discovering my favorite blogazine, when she juried/curated The Daily. The second image below is from a series of paintings that she was making at the time based on very quick sketches she was doing on her phone. The work for me was a step beyond provisional painting, and had a sincerity and love for materials that is lacking in that group. As a creative focused on the active faith it takes to produce in a time after Art has died, while holding the contradiction that it is likely a pointless activity, really resonated, and still does.

Sharon has started off 2026 with a couple of very interesting projects-one at McBride Dillman* and another at CLEA RSKY – so I wanted to update my flowers for her.

*from the gallery- “Sharon Butler’s “new casualism” takes up the incomplete, the provisional, and the unfinished as meaningful categories. Her paintings challenge the authority of polish and perfection, foregrounding process as a form of truth-telling.”

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Kate Nartker

had an amazing show overlapping the turn of the year: Cutting Room at Anchorlight. Not all of it was abstraction of course, and her interest in non-representational forms (like Sabrina) relates to optics- to be clear her main interests are in film and the history of women’s labor. Fascinating stuff- oh did I mention these are made on a loom?

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Sabrina Gschwandtner

Mostly posting this for local folks who, like me, fell in love with Kate Nartker’s work because of her recent exhibition at Anchorlight (yes I’ll do a blog about Kate tomorrow). And! Yes, there are images embedded in these patterns- opticality and film are part of a Venn diagram that overlaps many concepts with which abstraction is concerned.

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Hedda Sterne

I first blogged about Hedda in early 2020 because I was so over the moon to see MOMA give Hedda her due in their (at the time) new gallery reconfiguration. Hedda has a prominent place in Art History as the only woman Artist featured in Nina Leen’s iconic Life Magazine photograph of the New York Abstract Expressionist group’s “membership” (below).

Jason at Two Coats has words about the recent Dreamscapes at Van Doren Wexter.

I am continually in awe of the #9thstreetwomen* and their truly Modernist commitment to artistic practice- they always made work, even as their male counterparts (and spouses!) stole the limelight. *Speaking of the now well known tome, enjoy this interview (YouTube video in link) with author Mary Gabriel (I know I will).

#heddasterne

Rocío Sáenz

(From Iron Gallery in Chicago) With a career defined by experimentation and spatial exploration, Rocío Sáenz transforms her experiences into an artistic proposal that challenges boundaries. Her work has been exhibited across the Americas, Europe, and Asia, earning her accolades such as the Chihuahua Award in Arts and Sciences and the Pedro Coronel Painting Biennial. More

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Jane Haimes

Michael Brennan is a big fan of abstraction and of Jane. The title of his essay creates high expectations of course and is still worth the read. Also since I’m trying to draw more connections this year I’ll note that readers who like Jane should check out Osamu and Lorser, and Thomas who was the best living American painter for most of my life.

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