Van Doren Waxter is currently presenting Jeronimo Elespe: Woodcuts, Etchings and Monotypes, an exhibition of new prints. Celebrated for his dreamlike, optically charged paintings, printmaking has always been a vital part of Madrid-based Spanish artist, Elespe’s practice.
#jeronimoelespe
Art of the Americas: Collection of the Art Museum of the Americas of the Organization of American States notes that Ecuadoran artist Aníbal Villacís is a bridge between two worlds: ancient and modern.
Saw below when I was at the Ackland seeing work by Jack and Frank. Her work reminds me of Charles also.
#aníbalvillacis
has work featured in Vorágine: Yente and Cecilia Biagini. Inspired by traditions of South American abstraction, Cecilia makes paintings, mobiles, photograms and reliefs that flow seamlessly from medium to medium. Utilizing a bold sense of color, line, depth and abstraction, the varied works find commonalities in their composition and playfulness. Evoking ideas of physics, the geometric shapes in her work are arranged in a manner suggesting movement and animation.
#ceciliabiagini
Vorágine: Yente and Cecilia Biagini brings together modern and contemporary abstract artworks by Yente (1905–1990), a pioneering figure in abstraction from Argentina, and Cecilia Biagini. The exhibition will present a selection of works by Yente from the 1930s through the 1960s, in which the artist experimented freely with the visual languages of the international avant-gardes by working across mediums, figuration, and abstraction.
#yente
is one of 7 artists that Artsy says stand out at this summer’s Venice Biennale (granted this is a posthumous honor in their case). Samia also gets a nod btw.
#ionesaldanha
Renowned for his monumental sculptures, Chillida created domestically-scaled sculptures, drawings, collages, and prints. His work is the subject of a recent exhibit at the Bechtler.
#eduardochillida
Eddie Martinez’s frenetic, bold, kaleidoscopic paintings draw from art historical traditions such as action painting, Neo-Expressionism, and the CoBrA movement. Martinez filters tenets from his aesthetic predecessors through coarse brushwork, a wide variety of media, and abstract forms and rhythms
#eddiemartinez
Kristina Kay Robinson at Burnaway considers the codices of decolonization in Ana Hernandez: Color of Clouds at Other Plans in NOLA.
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#anahernandez
is one of the creatives Artsy staff is captivated by. The Colombian artist’s all-consuming installations transform mud into stunning Minimalist sculptures that fill cavernous rooms, drawing on Andean and Amazonian cosmologies.
#delcymorelos
An omnipresent figure in New York’s alternative art scene of the 1980s, Colo bridges two worlds, a bifurcated experience reflected in his works: “My paintings are not abstract or figurative,” he says, “they are hybrid, like myself.”Hyperallergic says Papo’s recent at Caldéron was one the shows to see this September in NYC.
#papocolo
Mrs. recently presentedresounding, variegated, leaves which featured Lily.
The artists presented come together in a myriad of ways as they embrace the natural phenomena of listening, touching, breathing and looking as it occurs through an exchange
between artist and art object.
#lilyramirez
is a recent Fountainhead artist in residence. In her practice, Medeiros articulates an approach to painting that transcends the specificities of the medium, making use of sculpture, performance, and installation work. Pursuing a hybrid framework for the pictorial, Medeiros questions artistic media by going beyond their conventional formats, producing paintings and in situ installations that explore the relationships between space, time, and the corporeality of art and of the viewer.
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#maneolamedeiros
In his most recent exhibition, Federico Herrero once again suggested open questions about what landscape could mean, but also formulated an evolving proposal of what already exists.
#federicoherrero
Painting After Art is Dead 