Manuel Mathieu

Manuel (who I first discovered at the Armory Show) is a contemporary Haitian visual artist best known as a painter of abstract works that often evoke figurative shapes in nondescript environments. Mathieu draws from Haitian visual cultures and from Western art movements such as expressionism and existentialism.

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Flora Yukhnovich

Artforum- rightfully- notes Flora’s newest from her time in Venice in a space set up by #victorimiro “for invited artists to spend extended time in the historic city and make new bodies of work”. These are definitely abstractions although not clear she would call them nonrepresentational. Reminds me of Erin’s brushwork.

#florayukhnovich

Ann Cathrin November Høibo

Was reading the print edition of Artforum when the image below grabbed me. Which lead to reading this interesting interview about the themes that- like the disparate materials she uses- are woven, literally, into her work.

#anncathrinnovemberhøibo

Julije Knifer

Since I’ve written about banal formalist modalities a couple of times recently I figured three times is the trick? Croatian artist Julije Knifer responded to the post-revolutionary socialist aestheticism (asceticism?) of the ’50s and ’60s “with black irony, riffing on geometric abstraction in “anti-paintings” characterized by a deliberately meaningless monotony.”

#julijeknifer

Susan Morris

Was talking about automatism with a fellow artist who surprisingly was unfamiliar. In addition to other good material on the topic the Tate’s online presence has this great article on Susan “discussing her work in the context of involuntary drawing, Susan Morris provides a history of her practice by examining the art of Jules-Etienne Marey, Marcel Duchamp, Pablo Picasso and Tacita Dean.” Her work deriving from data on sleep patterns is also interesting.
#susanmorris